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Alfonso Cuarón, the “Y Tu Mamá También” auteur, produces, as does Guillermo Del Toro, who directed the critically acclaimed “Hellboy” and “Cronos.” In front of the camera, frequent Pedro Almodóvar collaborator Leonor Watling performs stunningly, and the reliably great Alred Molina (“Spider Man 2”) makes a cameo appearance...

Author: NO WRITER ATTRIBUTED | Title: Movie Review: Crónicas | 10/7/2005 | See Source »

...Executive Officer Elizabeth Y. Lint said that local colleges were a major consideration in the city’s decision to participate in the program...

Author: By Matthew S. Lebowitz, CRIMSON STAFF WRITER | Title: Cops Seek To Curb Underage Drinking | 10/4/2005 | See Source »

...final work justifies every meticulous, monastic, masochistic effort. For longtime Gromit groupies and Wallace-y wonks, who know the pair from their early films A Grand Day Out, The Wrong Trousers and A Close Shave (the last two won Oscars for Best Animated Short), the new film proves that this endearingly odd couple can carry a feature-length film with easy poise. Newcomers will be charmed by the characters, then drawn into the suspense as a man is transformed into a killer bunny in a scene scarier--and even funnier--than Oliver Reed's hirsute metamorphoses in the old Hammer...

Author: /time Magazine | Title: A Dog And His Man | 10/3/2005 | See Source »

...question, “How many Americans make how much money?” you can verify that poverty exists in America. If you want to end povert y in America, you need to ask the question, “What keeps Americans who are already impoverished, in poverty?” And that is where intolerance comes...

Author: By Michael A. Feldstein, | Title: FOCUS: The Biggest Barrier: Poverty by Intolerance | 10/3/2005 | See Source »

Lance Armstrong was the story on dry land this summer, but on water nothing topped ESPN's Bassmaster Classic in Pittsburgh, Pa., where 47 anglers raced across a Y-shaped "playing field" covering the Ohio, Allegheny and Monongahela rivers. ESPN crews produced several live shows that captured the, um, thrill of watching grown men struggling to catch fish. It can take hours to get a bite, but cool editing tricks, Pixar-type animation and dizzying camera work keep the action moving at breakneck speeds. ESPN had 35 cameras, two helicopters and a blimp at the classic, while the FLW uses...

Author: /time Magazine | Title: Cable TV's Big Fish Fight | 10/2/2005 | See Source »

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