Word: yael
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...release from prison Samir Kuntar, a Lebanese citizen who was part of a Palestine Liberation Organization (P.L.O.) cell that in 1979 arrived by boat in the northern Israeli town of Nahariya and invaded the apartment of the Haran family. Smadar Haran hid in the attic with her daughter Yael, 2, and was so intent on stifling the girl's crying that she accidentally suffocated the child. Meanwhile, members of the cell took Danny Haran and daughter Einat, 4, back to the shore where, realizing escape was impossible, Kuntar shot Danny in the back and drowned him, then battered Einat...
...bore it. She never sought media attention, but she didn't scurry from it either. Today, she relates the events of April, 22, 1979, with a strong voice, in a beat as steady as a metronome. She skirts over the details only when describing how two-year-old Yael died. She says there was never any question that she'd start a new family. "I knew nobody could call me Mom anymore, but I was still Mom in my heart," she says. "I felt someone should get the tenderness I had to give...
Summers’ twin daughters, Pamela and Ruth, are 15. His son, Harry, is 12. New has three daughters, Yael, 19, Orli, 14, and Maya...
...street, and after a long stillness, a pallid hand emerges from a balcony, hangs out a towel, and quickly withdraws. The works are isolated in dimmed rooms or scattered around a large space. As you thread through a cryptlike corridor, the revving motors and shouts of Israeli Yael Bartana's Kings of the Hill hit you before the work itself: it's a record of teenagers racing old cars up and down Tel Aviv sand dunes well into the night. At times it's almost abstract, with headlights filling the screen and engines roaring. You could read some political message...
...works are isolated in dimmed rooms or scattered around a large space. As you thread through a cryptlike corridor, the revving motors and shouts of Israeli Yael Bartana's Kings of the Hill hit you before the work itself: it's a record of teenagers racing old cars up and down Tel Aviv sand dunes well into the night. At times it's almost abstract, with headlights filling the screen and engines roaring. You could read some political message into the struggling cars, as you could into Turk Fikret Atay's Rebels of the Dance, which shows two boys dancing...