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Next target was Eikichi Kambayashi-yama, director-general of the Japanese Self-Defense Forces. He was charged with ordering a lavish homecoming parade-replete with sake, flag-waving schoolchildren, and an official army band-when he returned to his prefecture on Kyushu in September. Kam-bayashiyama last week told the Diet's Cabinet committee: "I am sorry; I will humbly search my heart, and I will be more careful, hereafter." Though the opposition shrieked, "Shame on you! Resign! Resign!", the director-general did not quit...

Author: /time Magazine | Title: Japan: Black Mist & Banana Skins | 11/4/1966 | See Source »

Architect of the $350 million center is diminutive Minoru Yamasaki (TIME cover, Jan. 18, 1963), whose concrete Yama-Gothic traceries adorned the U.S. Science Pavilion at the Seattle World's Fair. Chosen by the sponsoring Port of New York Authority over a dozen of the nation's leading architects, Yama said: "The commission represented a once-in-a-lifetime, no, a once-in-two-lifetimes situation. To me the basic problem beyond solving the functional relationships of space is to find a beautiful solution of form and silhouette which fits well into lower Manhattan...

Author: /time Magazine | Title: Art: Onward & Upward | 1/24/1964 | See Source »

...association with" another firm of building planners on the job. As in the case of the Gropius-Belluschi Pan Am Building in Manhattan, the "associates" will be the firm of Emery Roth & Sons, whose glassy budget ziggurats have transformed much of the city into a white-collar Babylon. Whether Yama can maintain his usual no-detail-is-too-small control over the project's construction is a question that bothers many of his fellow architects. Says one: "I don't think he can. It's a tragic mistake...

Author: /time Magazine | Title: Art: Onward & Upward | 1/24/1964 | See Source »

...Even if Yama triumphs, there are other sure losers in the picture. The 33-year-old Empire State Building will no longer be able to call itself (with 102 floors, 1,248 ft.) the tallest building in the world,* will join such other has-beens as the Singer, the Woolworth and the Chrysler buildings. And one of Manhattan's beaux-arts monuments, the splendid old U.S. Customs House, designed in 1901 by Cass Gilbert, will lose its identity-and possibly its existence-as all customs operations are shifted to the World Trade Center. Progress in New York moves onward...

Author: /time Magazine | Title: Art: Onward & Upward | 1/24/1964 | See Source »

...Yama's new building projected for Harvard is somewhat less successful-it seems contrived, even "Japanesque...

Author: /time Magazine | Title: Using the Brain | 2/1/1963 | See Source »

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