Word: yamaguchi
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Dates: during 2000-2009
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...voice above a synthesizer and base. The angular, stuttering movements reflected the woman’s intonations but were united by the sound of the base. Other pieces utilized a mixture of sound and silence, as with “Shohmyoh.” This piece, choreographed by Ryuji Yamaguchi ’03, centered on the reverberations of drums and chanting. This dual presence of sound and silence perfectly suited the piece’s theme of lives connected through action...
...student pieces pushed the creative limits of movement. In “Findings,” Waterhouse and Yamaguchi invigorated the paus-duex by straining to appear aloof but constantly remaining interconnected. The pair was visually linked through their reciprocal blue and black tops and bottoms, but battled to balance this connection with the aloof music of Mozart. The resulting tension reinterpreted the traditional love duet, making it contemporary and exciting...