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Freedom &Riches. This week the academy named 13 new fellows for next year, ranging from Latinist Richard Brilliant, 30, a Yale doctoral candidate, to Latvian-born Astra Zarina Haner, 30, an apprentice of Detroit's famed Architect Minoru Yamasaki. Like the 27 current fellows, all are likely to be profoundly invigorated by the academy's unique formula: freedom amid Rome's riches, from the ancient Forum to the soaring Olympic stadium...

Author: /time Magazine | Title: Education: Roman Holiday | 3/21/1960 | See Source »

This is the credo of Minoru Yamasaki, who at 46 is turning out some of the gayest and most graceful buildings in the U.S. In recognition of Yamasaki's growing stature among U.S. architects, the Detroit Institute of Arts will open next week a full-scale show of his past works and future projects, timed to coincide with the dedication of Yamasaki's newest building -the Detroit headquarters of Reynolds Metals Co. Though its grille of gold anodized aluminum owes an unabashed debt to Architect Ed Stone, the Reynolds building, on a 4½-acre plot...

Author: /time Magazine | Title: Art: Serenity & Delight | 9/14/1959 | See Source »

Jaundiced Eye. It took Detroit and the U.S. a long time to recognize Yamasaki, as it took Yamasaki a long time to find himself. Born in Seattle, he shared the indignities common to Japanese Americans. But he had a burning desire, inspired by an architect uncle, to become an architect. After getting his degree in architecture from the University of Washington, he went East to New York, struggled through a long apprenticeship working as a draftsman, waited out the animosity of the war years, in 1945 landed a job with a firm in Detroit, where he stayed. Steady progress...

Author: /time Magazine | Title: Art: Serenity & Delight | 9/14/1959 | See Source »

...Yamasaki took advantage of a long convalescence to go to Japan. He was captivated by what he saw in its architecture: the interplay of light and shadow, the union of building and garden. He came back to cast a jaundiced eye on the serried ranks of glass boxes rising along the main streets of Manhattan and other major cities. "Our life gives promise of being spent in look-alike houses, look-alike automobiles and look-alike buildings," he warned his fellow architects...

Author: /time Magazine | Title: Art: Serenity & Delight | 9/14/1959 | See Source »

...began to turn out plans for buildings whose distinguishing features are precast concrete coaxed into graceful curves and lacelike delicacy, a box-shaped podium for a base, a surrounding pool, a gemlike skylight. "In our buildings,'' says Yamasaki, "we try to think of what happens to a human being as he goes from space to space, and to provide the delight of change and surprise...

Author: /time Magazine | Title: Art: Serenity & Delight | 9/14/1959 | See Source »

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