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Architect of the $350 million center is diminutive Minoru Yamasaki (TIME cover, Jan. 18, 1963), whose concrete Yama-Gothic traceries adorned the U.S. Science Pavilion at the Seattle World's Fair. Chosen by the sponsoring Port of New York Authority over a dozen of the nation's leading architects, Yama said: "The commission represented a once-in-a-lifetime, no, a once-in-two-lifetimes situation. To me the basic problem beyond solving the functional relationships of space is to find a beautiful solution of form and silhouette which fits well into lower Manhattan...

Author: /time Magazine | Title: Art: Onward & Upward | 1/24/1964 | See Source »

...Center will scrape the sky 1,3531 ft. above an area where nearly every other building is topped with turret, lantern and steeple. The question is not whether it should be modern (it has to be) but whether it is the kind of modern that lives with its surroundings. Yamasaki has avoided the acres-of-glass look, has instead invested the two towers with traceries of stainless steel arches in his familiar style, around the base and again just below the gently beveled roof line. Some people may yet feel that it is too stark...

Author: /time Magazine | Title: Art: Onward & Upward | 1/24/1964 | See Source »

...Skidmore, Owings & Merrill pronounces Fuller "the most creative man in our field; he's the only one that's dealing with something that's totally dissimilar to what everybody else is doing. He's tried to find out how nature really works." Architect Minoru Yamasaki calls him "an intense, devoted genius, whose mind, which is better than an IBM machine, has influenced all of us." Italy's famed Architect Gio Ponti feels that Fuller is "not only a romantic pioneer who sees 50 years ahead, but a genius who has already realized his dreams...

Author: /time Magazine | Title: Design: The Dymaxion American | 1/10/1964 | See Source »

...Five years ago, the wife of the late architect Eero Saarinen bought one of Nagare's works. Soon foreign admirers-Mrs. John D. Rockefeller III, Architects Philip Johnson, Marcel Breuer and Minoru Yamasaki-boosted him until he had more buyers in the U.S. than in Japan. When he finally caught on in his native land, he became the rage so rapidly that he had to hide from acclaim. When Yamasaki asked how to reach him, Nagare replied, "You can't. I move from farmhouse to farmhouse out in the country to run away from Japanese architects who want...

Author: /time Magazine | Title: Art: Stone Crazy | 9/20/1963 | See Source »

...Sert is not the only architect who mutiliates Harvard property. Coolidge, Shepley, Bulfinch & Abbott's Leverett Towers have occupied University land for a long while; Yamasaki's Engineering Sciences Building, a gleaming white, washer-dryer-like edifice, will soon open on Oxford Street; and an almost windowless, brick Medieval turret, the work of a firm from Houston, Texas, will eventually stand on Appian...

Author: By Russell B. Roberts, | Title: Incinerator Gothic | 5/20/1963 | See Source »

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