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...Yann Martel's Beatrice and Virgil begins with a dreary little piece of self-referential play. Henry, the hero, is a novelist trying to write a follow-up to his prize winning first book. Similarly, Martel's Life of Pi won the Man Booker Prize in 2002, and now he's produced a follow-up in the form of Beatrice and Virgil. This kind of metafictional loop has become a convention as well-worn as those it was meant to explode. Somebody needs to come up with a fifth wall to break. (See the all TIME 100 novels...

Author: /time Magazine | Title: Shock the Monkey | 4/26/2010 | See Source »

...shipwreck, a tiger, and God connected? All play a major part in Yann Martel’s Booker Prize winning novel, “Life of Pi.” Nearly nine years after the publication of his runaway success, Martel sits down with FM on a sunny afternoon at the First Unitarian Church in Harvard Square to discuss his new book, his résumé, President Obama, and religion...

Author: By Anna M. Yeung, CRIMSON STAFF WRITER | Title: 15 Questions with Yann Martel | 4/23/2010 | See Source »

...Yann Martel: I toured for “Life of Pi” for two years, so I did end up talking a lot about animals and shipwrecks and religion and multiple faiths. After two years I had enough, but it was still interesting talking to readers...

Author: By Anna M. Yeung, CRIMSON STAFF WRITER | Title: 15 Questions with Yann Martel | 4/23/2010 | See Source »

...Beatrice and Virgil” were a piece of music, it would be an extended fugue, beginning so quietly as to be almost inaudible, and culminating in a moment of overwhelming noise followed by silence. With each new piece of his story, Yann Martel examines the form of the novel and how it functions as a means of communication. The Holocaust is his vehicle for this exploration, as he tries many different styles of writing in his attempt to find a voice to protest this act of genocide. The novel contains fragmentary portions of a play, as well as another...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Martel’s Tribute to Silent Victims of the Holocaust | 4/6/2010 | See Source »

...into the realm of fiction. According to Henry, it is only in fiction that the memory can live forever and continue to grow, thus saving the Holocaust from the indignity of being forgotten. Since it is clear that this Henry in fact represents to some degree the experiences of Yann Martel himself, a curious and not entirely displeasing duality comes into play...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Martel’s Tribute to Silent Victims of the Holocaust | 4/6/2010 | See Source »

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