Word: yarns
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Dates: during 1950-1959
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Ridd first became interested in the work while demonstrating hooked rugs in a Pasadena department store in an effort to promote sales of yarn. A customer suggested that he try to make a Persian rug. With no instruction, he assembled a loom from four sticks and a quantity of seine twine. A rug-maker showed him how to tie a Persian knot and Ridd began his project...
...Shewing-Up of Blanch Posnet is a languid Western yarn, a genre in which the writer proves himself very ill at ease. Shaw is no cowboy. Neither is his hero, it must be admitted: Blanco is a kicking cousin of Dick Dudgeon, a would-be Hotspur in Levis and a grizzly beard, whose poetic force is out of place amid long-jawed neighbors. Blanco's tale is simple. He steals a horse. After a few twists involving first a slut then the mother of a just-dead baby, he is set free. The whole situation seems rather tired...
After nearly four years on Broadway and a successful movie run, Garson Kanin's ragtag yarn was an eventual certainty for TV. It also marked Kanin's first crack at TV directing. He was surprised at the prissiness of TV censors: four of the several references to Billie as a "broad" had to go. Anything that might be construed as a reference to mental illness was also cut: "crazy broad" became "dizzy broad." "Off her nut" became "blow her stack." Suggestions of physical impairment were primly deleted, viz., Billie, trying on her glasses, to Harry: "What...
This flea circus, a hilarious yarn, sets the tone for this whole collection of 25 short stories by V. S. (for Victor Sawdon) Pritchett. At 55, Pritchett is perhaps the best literary critic now writing in English. He is also a subtle interpreter of national character and environment (The Spanish Temper) and an occasional but brilliant dabbler in fiction. He calls his short stories "the only kind of writing that has given me pleasure [and] always elated me." The elation is shared by the reader...
...BLONDE, by Jack Webb* (245 pp.; Rlnehart; $2.75), is a neatly plotted, fast-moving yarn featuring those two old friends and collaborators in crimebusting, Sergeant Sammy Golden and Father Joseph Shanley. The Jewish cop and the Roman Catholic priest are not only believable characters; they emerge as intelligent, genuinely good men who, therefore, understand the nature of wrongdoing. When these two set out to nail a crook, the standard good-v.-evil struggle takes on depth and excitement. There is probably a valuable lesson here for writers of the unrelieved tough-guy school, in which the hero's morals...