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Besides these albums, there were other good things to choose from: new albums from Bonnie Raitt and Gordon Lightfoot, Peter Yarrow's intelligently romantic debut solo album, and Colors of the Day (Electra), Judy Collins's greatest hits, which would be worth the price for her versions of "My Father" and "Who Knows Where the Time Goes?" alone. Below the Salt (Chrysalis) was a major breakthrough for Steeleye Span one of the few British folk groups to successfully infuse new excitement into traditional madrigals with stirring musical arrangements and tightly knit choral work. Their lead singer. Maddy Prior...

Author: By Peter M. Shane, | Title: Folk and Country: Now More Than Ever | 1/26/1973 | See Source »

...crowd of only 600 lethargic people turned out last Saturday in Bloomington, Ind. to hear Peter Yarrow, formerly of Peter, Paul and Mary, sing. Earlier in the day 12,330 basketball-crazy fans had turned out to watch Coach Bobby Knight's Hoosiers beat Harvard...

Author: By Douglas E. Schoen, | Title: Severe Discipline Is Coach Knight's Trademark | 12/8/1972 | See Source »

...Peter Yarrow's debut solo concert at Symphony Hall last April 5 marked his emergence as a strong individual performer. For years, his excellent musical talents in writing and performing were submerged in the successful group efforts of Peter, Paul, and Mary. On their last several albums two of Peter's songs appeared which showed his ability to craft honest, direct, yet thoughtfully poetic pieces: "The Great Mandella" and "Day is Done." Bassman Bob Coucher and guitarist Ralph Towner helped him perform his music with extraordinary richness, enhancing Peter's naturally powerful and sensitive tenor...

Author: NO WRITER ATTRIBUTED | Title: Above the Crowd | 4/19/1972 | See Source »

...compositions, unlike Yarrow's, deal almost entirely with issues of personal life. He is more influenced by blues which usually convey more of a sense of personal oppression than of social conflict. Hence, Smither writes more about his own perception of the emptiness of life than he does about the hopelessness or perhaps the hope of life in general...

Author: NO WRITER ATTRIBUTED | Title: Above the Crowd | 4/19/1972 | See Source »

Wainwright is not likely to have the broader success one might expect of Peter Yarrow or Chris Smither, simply because his style is so uncompromisingly personal. People like George Gerdes, however, are already showing Wainwright's influence. Wainwright's will be an exciting, original contribution to folk and blues, which must always be rejuvenated by forceful, gifted artists

Author: NO WRITER ATTRIBUTED | Title: Above the Crowd | 4/19/1972 | See Source »

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