Search Details

Word: yeend (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...George London, Violinist Nathan Milstein, Pianist Guiomar Novae's, the Obernkirchen Children's Choir, Cellist Gregor Piatigorsky, the Quartette di Roma, Pianist Artur Rubinstein, Guitarist Andrés Segovia, Mezzo-Soprano Jennie Tourel, Baritone Theodor Upp-man, Duo-Pianists Vronsky and Babin, Baritone William Warfield, Soprano Frances Yeend, Harpist Nicanor Zabaleta...

Author: /time Magazine | Title: Music: The Season | 11/4/1957 | See Source »

Debussy: Le Martyre de St.-Sébastién (Frances Yeend, soprano; Miriam Stewart, soprano; Anna Kaskas, contralto; Oklahoma City Symphony Orchestra and Chorale, Victor Alessandro conducting; Allegro, 2 sides LP). Composed to a "mystery" of D'Annunzio for Dancer Ida Rubinstein, Le Martyre (1911) was itself martyred in an unsuccessful play, is rarely performed. It contains many a strange and beautiful bar, stands pretty well on its own in this first recording. Performance and recording: good...

Author: /time Magazine | Title: Music: New Records, Apr. 30, 1951 | 4/30/1951 | See Source »

...Center audience finally heard the result, they brought the house down. Everything clicked: orchestra (under Joseph Rosenstock), scenery (by H. A. Condell) and singers. James Pease made the role of Sachs, the cobbler-poet, glow with gentle wisdom. The little second-act rage of the blonde Eva (Soprano Frances Yeend) was as charmingly impetuous as it should be. Her Walther (young German Heldentenor Hans Beirer) was impassioned, and in notable voice, in the Prize Song. And for once there was a Beckmesser (Baritone Emile Renan) who kept his comedy on the right side of slapstick. Altogether, it was a Meistersinger...

Author: /time Magazine | Title: Music: Master Meisfersinger | 10/23/1950 | See Source »

| 1 | 2 | Next