Word: yellow
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Dates: during 1950-1959
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Inside Out. Back in Manhattan in January 1957 with 30 crammed 3-in.-by-5-in. notebooks and a mountain of loose notes, he immediately went to work in the yellow-walled, fourth-floor office of his 80-year-old brownstone on East 62nd Street, catercorner from Eleanor Roosevelt's apartment. (Says Gunther: "Mrs. Roosevelt's lights and mine are the last on the block to go out.") After writing one 14,000-word magazine article on his trip, he dug in for the 14-month task of shrinking Russia...
...quick extemporizing, the youthful Van Dyck also left the canvas with some unresolved problems. The yellow robe of Judas, as he turns to betray Jesus, billows stiffly, forming a disconcerting, nostril-like free form; Peter's violent attack against Malchus (one of the high priest's servants) is nearly thrown off the picture at lower left...
...early-morning darkness at Cape Canaveral, the morning star and the thin edge of a waning moon graced the eastern sky. Their light faded, and at 6:45 the sun burst bright and yellow above a cloud bank to bathe the slender dark-green-and-white Vanguard rocket standing on Launch Pad 18A. In Vanguard's nose was a 3¼-lb. antenna-horned space satellite that symbolized at once the hope and despair of all the men at the Cape. Temperamental Vanguard, twice a spectacular failure, was once again ready for the shoot: the countdown was onT minus...
...rejected by the Senate; of a heart attack; in Washington. In 1930, after his nomination to the court by President Hoover, scholarly, genial Judge Parker became the subject of a debate triggered mainly by the American Federation of Labor, because of an opinion he had written sustaining a "yellow-dog" contract (wherein new employees promise their employers in writing that they will not join a union). Parker explained that he was merely "following the law as laid down by the Supreme Court. I had no latitude of discretion in expressing views of my own." Adding to his troubles: the National...
...smoothest Technicolor that has ever creamed a moviegoer's eyeballs; but then, gripped by the fear that all this would be too subtle, they decided to smear "mood" all over the big scenes by shooting them through filters. Result: too often the actors are tinted egg yellow, turtle green-and sometimes phosphorescent fuchsia...