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Lightning may not strike twice, but Bill Bryson, the serial memoirist, seems to have struck again with what appears to be recollections of his exciting 1950s childhood. The cover shows a well-worn and moth-eaten sweater with a yellow lightning bolt hanging on a clothesline. Does Bryson know that the “thunderbolt” is actually a lightning bolt? The cover is ambiguous in that regard, though as the author of “A Short History of Nearly Everything,” I suppose Bryson should know. Either way, it is funny to imagine the over...

Author: By Alexander B. Fabry, CRIMSON STAFF WRITER | Title: BY ITS COVER: Thunder Rolls | 11/15/2006 | See Source »

Outfitted in yellow and silver lamé dresses topped with white feather boas and matching dyed wigs, leaders of the Hasty Pudding Theatricals (HPT) invaded Cambridge Rindge and Latin School (CRLS) with a gift in hand: a check...

Author: By Laura A. Moore, CRIMSON STAFF WRITER | Title: Pudding Funds Cambridge Public Schools | 11/13/2006 | See Source »

President Joshua M. Brener ’07, who wore the yellow dress and wig at the event, expressed the same sentiments in a press release...

Author: By Laura A. Moore, CRIMSON STAFF WRITER | Title: Pudding Funds Cambridge Public Schools | 11/13/2006 | See Source »

When the caution flag comes out in Formula One (F1) racing, crews typically use the opportunity to bring their cars in for a pit stop. But when yellow came out in the 25th lap of last year's Monaco Grand Prix, Team McLaren Mercedes made the counterintuitive decision to keep driver Kimi Raikkonen on the track. The ploy worked; Raikkonen won. But the decision wasn't made at trackside. It came from team leaders based at the McLaren Technology Center in leafy Woking, south of London, who were using prediction software they had developed to help them make split-second...

Author: /time Magazine | Title: Very Rapid Response | 11/12/2006 | See Source »

Melbourne cup day 2006, and inside the National Gallery of Victoria, a different race is on. Already much of the work is out of its yellow starting boxes - one intriguingly marked mug pop - and seven years after the artist's death, the betting is that his retrospective, "Howard Arkley," will be a winner. Arkley's 25-year career connected comic strips and Conceptualism, Surrealism and suburbia, punk rock and Postmodernism - all with the zip of his airbrush, blurring the line between rarefied art and popular taste in the process. He was able to do this by painting the world most...

Author: /time Magazine | Title: The Neon Backyard | 11/12/2006 | See Source »

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