Word: yells
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Dates: during 1970-1979
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...First Amendment Blues" [Aug. 15]: Since when have our courts interpreted the First Amendment literally? If a prankster has no constitutional right to yell "Fire!" in a crowded theater, then certainly Nazi goons have no right to march in Skokie, Ill. If freedom of speech and of the press does not apply to Deep Throat or Larry Flynt's Hustler, then it should not apply to the hate-mongering literature and rabble of the Ku Klux Klan or their Nazi comrades...
...American Scream Machine near Atlanta and the Twin Racer at Kings Island, near Cincinnati. The Scream Machine whirls above the glassy surface of a lagoon, providing a view that is as much a part of the ride as the terrifying dips and turns. The Twin Racer-like the Rebel Yell near Richmond-has graceful dual tracks for competing cars...
...next night, and the next and the next. Absolutely no one--with the exception of a group of four or five students in Matthews--knew who was doing it. By mid-October about 200 to 300 students would gather every night around Matthews at 11:17 to hear Tarzan yell. Of course, there were a lot of pseudo-Tarzan calls coming from Thayer and Holworthy, but Young remembers they were always being booed and hissed down. Only the Matthews Tarzan was hailed. Well, pretty soon it got to the point when it was a mob scene--it reminded Young...
...word about the cox. If he were to yell, "Jump in the water," chances are that eight oarsmen would be sloshing in the muck moments later. Some of these coxes have let the power get to their heads...
...make sense. In the novel, Pierre, a self-proclaimed "military observer," realizes there is only confusion on the battlefield and in this admission of his impotence, there is strength. In the play, however, Pierre simulates the battle, moving model soldiers across a lighted destiny stage as the generals yell and cannonballs whistle and burst in the background. It is an awkward scene anyway, with the aristocrat straining to shift the wooden pieces, but Toope's Pierre resembles little more than a boy playing with his toy soldiers. The question "Why? Why? And for whom?" remains...