Word: yen
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Dates: during 2000-2009
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...three people at the story's center?Pyle (Brendan Fraser), the older English reporter Thomas Fowler (Caine) and local lovely Phuong (Do Thi Hai Yen), whom the two men covet, conquer and betray?can be seen as representing the Americans, Europeans and Vietnamese of the early '50s, dancing on a slippery geopolitical slope that leads straight into the Big Muddy. They are also familiar figures in the Greene canon. The Quiet American is very nearly Greene's remake of The Third Man, his 1949 tale of political and sexual intrigue set in postwar Vienna, with the same cast of characters...
...West has to get its hands on, to devour and defile. In The Quiet American, Phuong is as much metaphor as flesh. Yet the actress playing her must evoke the humanity and the hurt within a succulent love object. That is the sweet surprise of Do Thi Hai Yen's performance. With a smile that suggests duress and glances that murmur reproach, Yen speaks for Vietnam. "She suffers much," Yen says of Phuong, "but she keeps her character...
...wonder that Yen speaks English at all, let alone as the female lead in what Hollywood calls a major motion picture. Until recently, her only ambition was to be the best ballerina in Ho Chi Minh City. But her boyfriend, Ngo Quang Hai, is an actor. And one day she accompanied him to an audition for The Quiet American. Yen's simmering stillness caught a casting director's eye?isn't this how Cinderella stories go??and she was introduced to director Phil Noyce...
...worldwide Vietnamese diaspora was considered. But Noyce wanted a type of hometown girl who could personify traditional Vietnamese womanhood. That wasn't easy in a globalized culture. "Every other girl we tested," says Noyce, "seemed polluted by the body language that you inherit from TV commercials, magazines, movies." Yen's body language was innocent, pure. It was language that caused problems. "When I asked her if she would like a Coca-Cola," Noyce recalls, "she answered, 'I'm 18 years...
...construction sites and mines.) In August 2001 a Kyoto court awarded compensation to 15 Korean workers forced aboard a naval ship that subsequently exploded and sank in 1945. And last year, a Tokyo court ordered the government to pay $170,000 to the son of the late Liu Lien-yen, a slave worker from China who escaped in July 1945 and spent the next 13 years living in the mountains of northern Hokkaido, unaware that Emperor Hirohito had surrendered...