Word: yerma
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...seem to provide such promising operatic material as the dark and intense verse dramas of Spain's Federico Garcia Lorca. Blood Wedding has been made into an opera at least four times, and in the early 1950s the noted Brazilian composer Heitor Villa-Lobos was commissioned to transform Yerma into an opera. He finished it in 1955, but died before it could be produced...
...Stage Director Basil Langton learned of the Villa-Lobos score, secured the rights and determined to produce it in the original Spanish. It took him 13 years, but last week Yerma had its world premiere-in Spanish-at the Santa Fe Opera, where as many listeners as could fit into the outdoor amphitheater came to hear...
Garcia Lorca's heroine, Yerma (derived from the Spanish word yermo, meaning barren), is a symbol of the life force frustrated by morality. Longing for children, unable to conceive them with her husband and unwilling to attempt infidelity, she laments with truly operatic passion. Finally, when her husband admits that he is sterile and has used her for sexual rather than procreative purposes, she strangles...
Little Help. Villa-Lobos' demanding score, unfortunately, has too little dramatic variety and characterization. The opera focuses on Yerma with such single-mindedness that only an extraordinary singing actress-and such types are rare-could bring it off. Poulenc made the same demand in La Voix Humaine, Jánaček in The Makropulos Case, Cherubini in Medea, Richard Strauss in Salomé and Elektra. All in some degree have paid the price in lack of performances. Yerma needs a soprano who can act like Maria Callas and sing like Leontyne Price. In Santa Fe it had Mirna...
This characteristic infelicity of image and language shows how Poet-Translator W. S. Merwin has diluted Lorca's intense lyricism, which in Spanish almost sustains the play. Having no place to go, the play capsizes into melodrama, with Yerma strangling her husband to death in the last scene...