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...insecure debating on The View because you didn't grow up in a household where you talked about politics. When you started on the show, what did you feel you brought to the table? I brought a certain realness to the table, of just being a regular working woman. Yes, I've worked on sitcoms, but I wasn't Star Jones, I wasn't a legal analyst, I wasn't a political pundit. I brought that everyday-woman point of view to it. I wasn't afraid to say I didn't know what stuff meant, and that...
...debate, the inclusion of the former of these two pieces has received its own share of criticism. Ben Shapiro of Big Hollywood penned a piece entitled, “The Obama White House’s Plagiaristic, Silly Art.” Perhaps most biliously, Michelle Malkin—yes, the same woman who bizarrely accused Dunkin Donuts and Rachel Ray of advocating Islamic extremism—commented on her website, “Can anyone say plagiarism? American art? I don’t think so!” Not only is this characterization wildly misguided?...
With their simple two-instrument setup perfected, the Brians are able to turn their attention towards the fundamental elements of songwriting: motivic development, the rise and fall of tension, and yes, even melody. Tracks like “Funny Farm” show a more formal arrangement, with clearly identifiable call-and-response patterns providing structure to a genre that often lapses into shapelessness...
...Macbeth performed by British theater group Punchdrunk operates on the premise that we can’t see it all. Set in an abandoned schoolhouse in Brookline, the story of Macbeth unfolds in every part of the building, leaving you running to catch up with the Hitchcock-esque mystery. Yes, the show is in Brookline. You’ll have to take the T. Maybe even walk a little! Wear comfortable shoes...
...YES. This attempts the same serendipitous, organic feel, but gets it right. The choreographed scene looks unplanned, or at least believable, and that’s a hard task, as Expressions learned this week. The enthusiasm in the nostalgic jam session makes glee look like the funnest class ever, proving the show isn’t just production values smoke-and-mirrors. Our only caveat: it’s a little problematic that the two modern, “black” pieces in this diversity episode weren’t actual performances. We got an unplanned rehearsal...