Word: yeston
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Dates: during 1990-1999
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...larger theaters are tours or revivals of Broadway hits. "Original" hits are rare; and these days they all seem to be Phantoms. In 1989 Ken Hill's version recouped its $1 million investment in an amazingly quick eight weeks and has since toured profitably. Another Phantom, by Maury Yeston and Arthur Kopit (Broadway's Nine), ran for a boffo year in Chicago, has been playing for seven triumphant months at the Westchester Broadway Theater in Elmsford, New York, opened this month in Kansas City, Kansas, and St. Petersburg, Florida, and is due in six other cities. The show may never...
...Phantom. Yeston (music and lyrics) and Kopit (book) completed their version in 1985, but when Lloyd Webber announced his Phantom, they found it tough to raise money. Kopit and Lloyd Webber briefly discussed collaborating, but their visions of the Phantom didn't mesh. The Yeston-Kopit version was dead for nearly six years, then miraculously resurrected at Houston's Theater Under the Stars. Yeston's melodies often skim the roiling emotions Lloyd Webber's music swims in, but they are sophisticated show tunes, operatic and operettic by turns. Kopit balances the Phantom-Christine romance with an All About Eve , rivalry...
...know that the story has limitations. The Phantom can sing only one kind of song to Christine: I-adore-you-and-you-ab hor-me. Poor pastel Raoul can never be much more than a Parisian Freddy Eynsford-Hill. And yet -- in the magnificent Lloyd Webber version, the appealing Yeston-Kopit or even the lame Ken Hill -- the story works. The Phantom and Christine sing ) their volcanic sentiments in a plot as spare and potent as legend...