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...yet. One of the most convincing writers on this subject was the American political scientist Barrington Moore. In his work on the social origins of dictatorships, Moore coined the phrase "No bourgeois, no democracy." It may be true that a middle class is necessary for the establishment of basic democratic rights, such as the vote. But the events of the past two decades have laid to rest any notion that the enrichment of a country provides an automatic impulse toward greater liberty. Remember the talk, after the fall of the Berlin Wall, about democracy arriving hand in hand with free...
...Moore made himself into, as the ad for Capitalism proclaims, "the most feared filmmaker in America." Certainly the most provocative: there are nearly as many movies attacking Moore (mostly docs but also David Zucker's anti-Moore comedy-satire An American Carol) as there are films directed by him. Yet to his kind of movie star, any mention, whether deferential or defamatory, is free publicity. Not that Moore needs others to do the work he's so accomplished at. He was the star guest on the second episode of Jay Leno's new prime-time show, flacking for Capitalism...
...time I heard Atteberry say this, I thought my ears needed cleaning. You see, FPA New Income is a bond fund - a very successful one. The mutual-fund raters at Morningstar named Atteberry and his co-manager and boss, Robert Rodriguez, 2008's fixed-income managers of the year. Yet Atteberry sees only trouble ahead. "I've got a bull market in bonds that's unsustainable," he contends. "It might last another six months. It might last another year. Is it going to last another three to five years? I don't think...
Moore's new film, Capitalism: A Love Story, which goes nationwide Oct. 2, is his most vigorous, rollicking, broadly ambitious work yet. Not satisfied with condemning the housing and banking crises of the past year, he expands the story of the financial collapse into an epic of malfeasance--capital crimes on an international scale. The movie also has the requisite Moore grandstanding scenes: attempting a citizen's arrest of AIG executives, parking a Brink's truck in front of banking establishments to retrieve the bailout billions they received, wrapping the New York Stock Exchange building in yellow tape that reads...
...Yet one feels strangely ungrateful for this wealth of observation. Moore's narrator is Tassie, a rootless 20-year-old who signs on as a nanny with an unconventional couple who have adopted a baby. Moore totally overpowers Tassie with her brilliance--observing and recording with the laser eyes of an ancient sibyl, not a Midwestern undergraduate with low self-esteem. As the drifts of perfectly turned moments mount up about the reader's shoulders, along with a corresponding paucity of dramatic incident, forward motion becomes increasingly difficult. Moore is a great writer, but you wish that every once...