Word: yezerski
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...clear dichotomy. Either there is constructive interference where artistic harmony and concord make it such that the sum total is greater than the individual parts, or a spectacular train-wreck of a collapse results from divergent intentions. The work of Gerry Bergstein and Howard Johnson, featured at the Howard Yezerski Gallery in Boston, mercifully stays on its tracks, as both artists explore items of personal fetish, fascination and self-reflection...
...exhibit at the Howard Yezerski Gallery, Gary Schneider is trying to find out. A striking series of seven small and four large toned silver gelatin photographic prints reveals the contours of children’s hands and mouths in all their complexity. The symmetric, proportioned limbs and lips of traditional painting give way to ethereal, x-ray-like forms, each as unique as the fingerprints they highlight. These works build on Schneider’s previous experiences at the intersection of science and art, in which he produced extremely detailed portraits of parts of his own body, including a hair...
...Erica Moody, Steve Morell, Rebecca Tasker and Mitch Rosenberg, selected by Bernie Toale of the Bernard Toale Gallery. Of note are Steve Morell's precious schoolroom-esque doodles and Tom Cole's incisive installation art-cum-social commentary. Next year, watch for an all-student show curated by Howard Yezerski of Yezerski Gallery...
...easy-to-miss door and then up a few flights can prove rewarding for both the collector and the curious student. An eclectic and intriguing mix of contemporary painting, drawing and photography are hung on the immaculate white walls of such renowned galleries as Barbara Krakow and Howard Yezerski--and despite a slight emphasis on representational painting, almost all claim to showcase works of a variety of styles, media and regional origin...
...Judy Ann Goldman, whose gallery is across the hall, is not so willing to make such generalizations, pointing out that tastes are as divergent as styles of art. Howard Yezerski, next door to both Goldman and Miller Block, has a rather positive outlook on the whole: He points to the large number of universities and art schools in Boston as a special resource that other cities simply do not possess. To Yezerski, at least, not only is gallery space more easily and more cheaply had in Boston, but its crowds of university students lend Boston an unusual, and indeed incomparable...
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