Word: yodeler
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Patsy Cline's voice was a wondrous instrument, a plangent contralto aged in whisky and barroom cigarette smoke, with the traditional hillbilly yodel transformed into the gasp of a mature heart breaking. All evidence suggests she earned that voice. In her marriage to Charlie, she shows that she can stand by her man, stand up to him, then throw him out when he gets too rough. Curing the on-the-road blues with a little a cappella harmony on Roll in My Sweet Baby's Arms, Patsy finds therapy in music: a way both of transcending her troubles...
...dream up a baseball umpire: what does he look like? Very likely he's probably somewhat over weight with a red face. It's very likely he's sweating. How does he act? Well, he squats down into that certain undignified position with every pitch and stands up to yodel "Streee-rike" for the good ones. Every time he calls an out at the plate he pumps his meaty fist up and down. When the runner's safe he spreads his arms so far apart that they force his nose into the dirt. Often a manager comes charging...
...wallow in me!" trumpets Harris, and he does indeed: he wades hippo-deep through the rank mud of his loopy monologues. The generously muscled O'Keeffe utters not an intelligible word-only Tarzan's patented bull-elephant yodel. As for Bo's acting, she sucks in her stomach to look pretty and chews her cuticles to suggest fear. Alas, all the displays of Bo's body cannot divert attention from the ludicrous ineptness of the enterprise. Nothing breaks a tumid erotic spell faster than giggling...
...Marlon Brando as George Lincoln Rockwell. As ratings go, however, it was a disappointment. Night 7, ABC got only 40% of the audience, compared with 32% for CBS's Celebrity Challenge of the Sexes, a kind of all-star potato sack race, and 30% for yet another yodel of The Sound of Music on NBC. Still, helped by its old-time serials and the great new hit of the season, Mork & Mindy, ABC, with Roots II, achieved the second-highest-rated week in television history, surpassed only by the week Roots I was aired in January 1977; indeed...
...style was a complex amalgam of hillbilly, blues, English ballad, and Hawaiian twang, all coupled with Rodger's own "blue yodel." A mixture of Swiss yodeling and the Negro falsetto, Rodgers took his voice past its highest note and let it break into "T for Texas, T for Tennessee," yodelling on the "T's" and then back into a normal range for the next line...