Word: yoko
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Dates: during 2000-2009
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...huge body of work that inspired and led. The appreciation for him deepened because he then instinctively decided to use his celebrity as a bully pulpit for causes greater than his own enrichment or self-aggrandizement. For several key years in the late '60s and early '70s, Lennon and Yoko Ono turned their lives into a virtual "Truman Show" to promote the issues they believed...
...Lennon was certainly no saint. His personal life did not always match his philosophy and aspirations. When he fell in love with Yoko One - who was truly his soul mate and muse - he treated his first wife rather shabbily. The divorce settlement, while broadly in line with the conventions of the day, was not the act of a generous or gracious man. His laudable devotion to his second son, Sean, was partly in reaction to the guilt of his neglect of his first son, Julian. Though he was just starting to make amends with Julian, his murder took place before...
...Shortly before the release of his powerful "Imagine" album in October 1971, Lennon and Yoko Ono decamped England and moved to New York. The album and the "Imagine" single immediately topped the charts and solidified Lennon's position as the world's most influential rock star. Lennon was at the height of his political involvement at this time, railing against the war in Vietnam and many other injustices. Within weeks of arriving in the U.S. he was meeting with Jerry Rubin and other members of the New Left...
...some cases, Leibovitz said, her ideas conflicted with the model's. She cited the example of Yoko Ono, who Leibovitz thought could take a "strong" head shot, under hard light, with enlarged details. To Leibovitz's surprise, Ono was dissatisfied with the final product and had to be appeased with a softer portrait...
...manipulation of found objects, these artists saw their work as vehicles for dissent, stand-ins for forbidden speech and catalysts for thought. This is, in itself, another major problem with Global Conceptualism: the contradiction of a museum exhibition of works of art which were intended as protests against museums. Yoko Ono's "Painting in Three Stanzas," for instance, was meant as a set of instructions for the creation of a painting, not as an art object itself. Gerhard Richter and Konrad Lueg's "Life with Pop," in which the two artists sat in a Dsseldorf department store posing as "living...