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Metamorphosen, the string ensemble led by Scott Yoo '93, gave its second-ever concert last Friday at Jordan Hall...

Author: By Dan Altman, | Title: Morphing Music to Public Appetite | 2/16/1995 | See Source »

Metamorphosen's concerts, each of which are preceded by a lecture (this time by Yoo and composer Elena Ruehr), attempt to bring classical music to the general public in a semi-educational setting...

Author: By Dan Altman, | Title: Morphing Music to Public Appetite | 2/16/1995 | See Source »

...Yoo's group began as a collection of highly skilled string players primarily from Harvard and the New England Conservatory who, in their first concert, succeeded to a great extent in playing cohesively. Last Friday, they reached a higher level of unity--Metamorphosen, at times, took on the character of a single solo instrument...

Author: By Dan Altman, | Title: Morphing Music to Public Appetite | 2/16/1995 | See Source »

This incredible development was most manifest in the last piece on the program, Hugo Wolf's "Italian Serenade." Wolf originally composed the one-movement "Serenade" for string quartet and planned further movements; he later adapted it for string orchestra. The piece has since become a frequent encore, as Yoo pointed out in a few words before the performance...

Author: By Dan Altman, | Title: Morphing Music to Public Appetite | 2/16/1995 | See Source »

...Yoo took up the baton for the first time on the Dvorak. Too often, his motions in the first movement fell out of kilter with what the group was trying to convey. While they drew out long lines for phrases, Yoo still rocked back and forth much like the ticker on an old-fashioned metronome. In this case, there was little evidence to support the typical claim that the ensemble simply wasn't following the leader well enough. At least in the first movement, Yoo's style clearly drew more on his own enthusiasm than on any particular intent...

Author: By Dan Altman, | Title: Morphing Music to Public Appetite | 2/16/1995 | See Source »

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