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Word: yorke (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...scene: a seedy storefront in New York City's Times Square district. Inside a tawdry slide show is under way. The brutal image of a woman being raped flashes onto the screen, then another of a woman in the throes of masochistic ecstasy as she is strangled by her lover. Still other pictures show women being mutilated and even killed...

Author: /time Magazine | Title: Sexes: Women's War on Porn | 8/27/1979 | See Source »

...front of Broadway theaters, performing baritone arias from The Marriage of Figaro or La Traviata to the accompaniment of a tape recorder. A Yale liberal arts graduate and a former high school science teacher, Leuze has been trying to launch a career with small opera companies in the New York area. "It usually blows someone's mind to hear me in full voice on the street," he says. Once, as he was approaching the climactic A-flat in the prologue to I Pagliacci, a bus stopped between him and his audience. Without missing a beat, he stepped into...

Author: /time Magazine | Title: Music: The Bands of Summer | 8/27/1979 | See Source »

...Francisco's Grimes Poznikov, who plays trumpet from inside a 6-ft. canvas box and bills himself as the "automatic human jukebox," rates cities by numbers: 14 for Seattle, 22 for New York, and so on. The numbers are his estimate of how many minutes a street musician can perform before getting moved on for soliciting or creating a disturbance. Cops, like rain, are a prime occupational hazard. Boston Licenses its performers for $10. Other cities give the police wide discretion to act on complaints about noise, or to play music critic...

Author: /time Magazine | Title: Music: The Bands of Summer | 8/27/1979 | See Source »

...York's Whitney Museum, a Segal introspective...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

...shells, they have the slightly eerie factuality of a petrified tree, a fossil or (as has often been said) that great tourist attraction of Southern Italy, the plaster molds of dead Pompeians. Now and again, Segal made an identifiable portrait; the show includes the effigies of those New York Pompeians of the '60s, the collectors Robert and Ethel Scull, she complete with sunglasses and Courrèges boots. But as a rule, Segal's figures are not identifiable. They are generalized, spectral presences, muffled in the folds of calcified gauze, their skin roughened with residual abstract-expressionist drips...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

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