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Word: yorke (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

Boston has until the end of the year to drum up the cash; then the paintings will belong to the People of Boston, or something like that. You know, we could always compromise. How about sending them half-way, to New York? True or false? New York has more culture than either Boston or Washington...

Author: By Amy B. Mclntosh, | Title: George and Martha -- Washington? | 4/26/1979 | See Source »

...hockey, but it plays. Widowed by a beer brawl and left with two children, one illegitimate, Norma Rae is trapped in a one-industry, two-bit, sexist little town. She marries a muscle-bound teddy-bear, but she only comes to value herself through a friendship with a New York Jew labor organizer. There's no sex, no racial problems, and pretty simple politics--it sounds like "Gidget goes to Harlan Country"--but thanks to some good acting and direction, it is much more effective than feminist self-discovery movies in the vein of 'An Unmarried Woman or One Sings...

Author: NO WRITER ATTRIBUTED | Title: Just Because You're Paranoid... | 4/26/1979 | See Source »

...seat. They will see and hear first rate singers like Jon Vickers, Regine Crespin, Luciano Pavarotti, Leonie Rysanek, and Sherrill Milnes. They will probably leave with high regard for the Met's artistic standards. They may even be a bit jealous of their New York acquaintances who can stroll down to Lincoln Center, spend astonishingly large amounts of money, and see a Met production anytime during the 24-week opera season...

Author: By Scott A. Rosenberg, | Title: Meet the Met: | 4/26/1979 | See Source »

There's no reason for anyone to be jealous. The quality of the singers on the Met tour this year is at least as high as in the New York house--even higher, some might argue. Because of the peculiar financial needs of the modern international opera house, tour audiences like Boston's can now see a concentration of talent in one week that New York audiences have to wait months...

Author: By Scott A. Rosenberg, | Title: Meet the Met: | 4/26/1979 | See Source »

Claude, played by John Savage, awkwardly parts from his red-necked dad as the movie opens. The Greyhound approaches a foggy Oklahoma road, taking Claude to New York City where he is to spend his last days of liberty before enlisting into the Armed Forces. At Central Park, Claude meets up with his soon-to-be buddies who triumphantly ask him to spare some change. Amused by their long hair and "I've Got Life' spirit, he finally reaches into his pocket...

Author: By Oren S. Makov, | Title: Blow-Dried and Fluffy | 4/25/1979 | See Source »

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