Word: yorke
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Dates: during 1970-1979
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...Cultural and Scientific Conference for World Peace in New York. But I refused, it was humiliating for me to take part in a spectacle Like that. I was a formalist, a representative of an antinational direction in music. My music was banned, and now I was supposed to go and say that everything was fine. Finally I agreed. People sometimes say that it must have been an interesting trip, look at the way I'm smiling in the photographs. That was the smile of a condemned man. I felt Like a dead man. I answered all the idiotic questions...
Norman Podhoretz calls it, with pardonable license, the "terror." No guillotine was set up in Greenwich Village, literary heads did not roll, but there were plenty of verbal executions in the late 1960s and early '70s when radical thought held sway in New York City and many other parts of the country as well. As the editor of Commentary and a leader of centrist opinion, Podhoretz was a prime target of the Manhattan Jacobins. In a book recapturing the impassioned polemics of the era in sometimes powerful and sometimes sluggish prose, he tells how he survived the literary pummeling...
...assumed an attitude of moral superiority. In an atmosphere of growing intellectual conformity, rational debate became irrelevant. During a discussion among antiwar protesters, for example, one participant expressed fear that the Communists might take over Viet Nam if the U.S. withdrew. Jason Epstein, who helped launch the New York Review of Books, scornfully responded: "So you like to see little babies napalmed." End of discussion...
...pieces, set new boundaries for comic absurdity: Somewhere a Roscoe; Beat Me, Post-Impressionist Daddy; Amo, Amas, Amat, Amamus, Amatis, Enough; Insert Flap "A" and Throw Away; No Starch in the Dhoti, S'll Vous Plait; Methinks He Doth Protein Too Much. His death last week in New York at 75 closed the page on a generation of American humorists that included Frank Sullivan, Robert Benchley, Dorothy Parker and H. Allen Smith. Yet as Humorist Russell Baker observes, Perelman's work was not typically American: "His writing had a certain English fineness in it. There is a love...
...there was still New York to face...