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...role was still daunting. Priour’s character is a part-time “club designer” from New York City, a gay man who glories in his own flamboyance. And Priour isn’t just playing any gay character—he’s playing one of the leads of “Angels in America,” Tony Kushner’s groundbreaking, quintessential play about being gay in America...

Author: By Lois E. Beckett, CRIMSON STAFF WRITER | Title: Building Character for 'Angels in America' | 4/10/2009 | See Source »

...Angels in America” is full of challenges for actors. It’s a two-part, six hour epic about four gay men in New York during the 1980s AIDS epidemic. But it’s also about democratic theory, celestial orgasms, the ozone layer...

Author: By Lois E. Beckett, CRIMSON STAFF WRITER | Title: Building Character for 'Angels in America' | 4/10/2009 | See Source »

...simply thinking. Indeed, Taylor’s film presents nothing like a close reading of “Being and Time,” but it does rouse its viewers to consider various takes on what it might mean to be alive today.Walking down 5th Avenue in New York City, Princeton’s Peter Singer asks, “Can we make our academic studies more relevant to our questions today?” as he applies ethical theory to the affluence around him. His idea that what we spend money on affects what we don?...

Author: By Susie Y. Kim, CONTRIBUTING WRITER | Title: Examined Life | 4/10/2009 | See Source »

Dear Ms. Laura Miller—About five and a half years ago today, I read an article of yours in the New York Times Sunday Book Review. Unlike the usual stuff of newspapers, which people read on Monday and by Sunday have moved on from, your article has had unusual staying power. In fact, it has remained with me, it has haunted me, until today—for six years of my total of 20, about a third of my lifetime! But today, today, I am going to exorcise your ghostly grip.You see, in the article that you wrote...

Author: By Sanders I. Bernstein, CRIMSON STAFF WRITER | Title: Five And A Half Years Later, Bernstein Bites Back | 4/10/2009 | See Source »

...most relevant to the “ingénue” America was Diaghilev’s fateful acquisition of a new, young choreographer named George Balanchine, who would later come to America and revolutionize ballet with the founding of the School of American Ballet and the New York City Ballet and a style of movement totally new neo-classical, despite its Imperial roots. This one man would transform American dance forever.The symposium features a starry list of illustrious guest speakers, panelists, and moderators that includes Joan Acocella, staff writer for The New Yorker; Anna Kisselgoff, former chief dance...

Author: By Erica A. Sheftman, CONTRIBUTING WRITER | Title: Harvard Celebrates Centennial of the Ballet Russes | 4/10/2009 | See Source »

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