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...It’s collegiate preppy with a hint of downtown New York,” Sung says. Think Ralph Lauren with a twist...

Author: By Kate E. Cetrulo and Emily C. Graff, CRIMSON STAFF WRITERSS | Title: FM's Third Annual Fast Fashion Challenge | 10/31/2008 | See Source »

...lives in Amsterdam. In “Kingdom of Shadows,” Tan explores how images help contribute to a sense of self. A former Nazi in the film describes how his first encounter with pictures of Auschwitz defied his entire worldview. Tan also interviews a New York artist, Alfredo Jaar, who believes that only images of pain can still affect today’s viewer. In “The Eyes of Gutete Emerita,” Jaar forces viewers of his work to confront images of the genocide in Rwanda directly by placing one million slides...

Author: By Madeleine M. Schwartz, CONTRIBUTING WRITER | Title: Identities Caught on Film | 10/31/2008 | See Source »

...twirling on the tips of her darkly-painted toes. “You can’t believe how graceful you are, moving in and out of these bodies. Free, free, free, free, free, free, free, free!” Leaving her choreography and directing projects in New York for the weekend, Peck returned to her alma mater to instruct a workshop on creativity in dance expression for the budding CityStep teachers. Underneath her wavy mass of dark hair, Peck’s eyes light up behind her glasses as she describes her work, which ranges from teaching community-based...

Author: By June Q. Wu, CRIMSON STAFF WRITER | Title: Step By Step | 10/31/2008 | See Source »

...Peck is co-chairing a benefit party for all City-Step alumni in New York this February in hopes of bringing together former CitySteppers from both Harvard and Penn, where the program’s community efforts were expanded in 2004. Though many alumni have lost touch with the organization, Peck hopes that both the event and the program’s new status will help boost the endowment figures...

Author: By June Q. Wu, CRIMSON STAFF WRITER | Title: Step By Step | 10/31/2008 | See Source »

...Center for Contemporary Art, and the latter through the Institute of Contemporary Art at the University of Pennsylvania—and both were shocking and blasphemous (phalluses and crosses dunked in urine). Anti-NEA vitriol flooded congressional mailboxes. The director of the Southeastern Center, Ted Potter, told The New York Times, “I’ve never seen anything like this before in my 25 years as an arts administrator. Ultraconservatives are on the rise. It’s a wind that’s blowing...

Author: By Jillian J. Goodman | Title: The State of the Art | 10/31/2008 | See Source »

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