Word: yorker
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Dates: during 2000-2009
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...Thayer Academy at 17, it was the end of his formal education. He promptly fictionalized the experience into a story that was purchased by the New Republic. One year a dropout, the next a published writer - and within a decade, a fixture in the pages of the New Yorker. By the mid-'60s the prizes and (sometimes) money were also rolling in from his first two novels. But by that time, on most mornings he was scuttling to the liquor cabinet right after breakfast to "scoop" the day's first...
...absolutely brilliant piece of writing, and we’ll be hearing a lot from her in the future,” said Begley of Hale’s promise as a writer. “This is a story that is good enough to be in The New Yorker, Harper’s, The Atlantic.” Menand introduced Hale’s story with a speech on the elements of a great story, drawing upon examples from writers like John Updike, James Joyce, and O. Henry, He told the audience that he chose her piece because...
...hours ahead of the debut - his inbox was already flooded with e-mails from colleagues in New York City, Los Angeles and Chicago, congratulating him on the movie they had just finished watching and the reviews they had read in the New York Times, Entertainment Weekly and the New Yorker. Within a single day, Swanberg had experienced a process that usually takes even the luckiest independent filmmaker a year - or longer - to go through. Reached via phone on Sunday evening, he was clearly overcome by it all. "I feel like I can say this is a watershed moment," he said...
...only thing Bellows liked better than high style and muscular editorial content was a fight. He would poke any eye to start one. In 1965 I wrote a story for New York having some sport with William Shawn, editor of the New Yorker. The moment our issue came off the press, Bellows sent a copy to Shawn. The detonator was a little inscription on the calling card that accompanied it: "With my compliments, James G. Bellows...
Monumental tragedies have a way of towering over a place, casting a shadow that dims both history and people. Former New Yorker staff writer Dan Baum's Nine Lives is a reminder of New Orleans as it existed before - and still exists in spite of - its darkest hour. After Hurricane Katrina, Baum conducted nearly 400 interviews with more than 200 subjects to recreate the experiences of nine New Orleanians, not only in the harrowing post-storm chaos of lawlessness and death, but in the four decades leading up to Katrina, starting with Hurricane Betsy in 1965. As the years roll...