Word: yorkerism
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...hours ahead of the debut - his inbox was already flooded with e-mails from colleagues in New York City, Los Angeles and Chicago, congratulating him on the movie they had just finished watching and the reviews they had read in the New York Times, Entertainment Weekly and the New Yorker. Within a single day, Swanberg had experienced a process that usually takes even the luckiest independent filmmaker a year - or longer - to go through. Reached via phone on Sunday evening, he was clearly overcome by it all. "I feel like I can say this is a watershed moment," he said...
...only thing Bellows liked better than high style and muscular editorial content was a fight. He would poke any eye to start one. In 1965 I wrote a story for New York having some sport with William Shawn, editor of the New Yorker. The moment our issue came off the press, Bellows sent a copy to Shawn. The detonator was a little inscription on the calling card that accompanied it: "With my compliments, James G. Bellows...
Monumental tragedies have a way of towering over a place, casting a shadow that dims both history and people. Former New Yorker staff writer Dan Baum's Nine Lives is a reminder of New Orleans as it existed before - and still exists in spite of - its darkest hour. After Hurricane Katrina, Baum conducted nearly 400 interviews with more than 200 subjects to recreate the experiences of nine New Orleanians, not only in the harrowing post-storm chaos of lawlessness and death, but in the four decades leading up to Katrina, starting with Hurricane Betsy in 1965. As the years roll...
Much has been made in recent weeks of the shared birthday of Abraham Lincoln and Charles Darwin, two juggernauts not only of their own age, but of all the years since. New Yorker writer Adam Gopnik explores their legacies in this book-length series of essays, focusing on their abilities as writers and thinkers of the highest caliber. As Gopnik writes, "Literary eloquence is essential to liberal civilization; our heroes should be men and women possessed by the urgency of utterance." With their adherence to logic and observation, and devotion to thoughtful expression, Lincoln and Darwin - in addition to everything...
Manhattan in the '60s was afizz with folk rock, Pop art and Abstract Expressionism. Soon it was afizz with Barthelme too--the New Yorker picked up on his strange genius and provided a very conventional venue for his very unconventional fiction. Barthelme wasn't interested in plots or characters. He confabulated his stories out of different strains of language--philosophy, psychology, scientific jargon, advertising, adventure stories--which he then crashed into one another, demolition-derby style, to demonstrate how hilariously inadequate they were for describing the world around us. In "Paraguay," for example, he employs the language of industrial production...