Word: yorkerism
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...fact that he provided the music for one of the patriotic anthems of all time, the name of Thomas Brigham Bishop has been practically forgotten in the annals of U. S. music. To see that he gets his just due from history is the purpose of an elderly New Yorker named John James MacIntyre, now a publicity man for the Cunard White Star Line, once a struggling songwriter and publisher whom Bishop befriended. This week marks the 100th anniversary of Thomas Bishop's birth. Loyal John MacIntyre refused to let the occasion pass without telling his friend...
Divorced. James Thurber, 40, one-eyed New Yorker writer, amateur artist famed for his shapeless women and droopy men (TIME, Dec. 31); by Mrs. Althea A. Thurber; in Bridgeport, Conn. Grounds: that he drank, was unfaithful, often got in fights which he invariably lost...
...many a funeral goes Mr. Morgan with his chauffeur. Last week the New Yorker revealed some intimacies about their motoring. They commute daily from Manhattan to the Morgan home on East Island, L. I. On good days Mr. Morgan rides alone in the rear of an open car. On bad days he uses a closed car, sits up front with his chauffeur. Usually their route is direct. But this, said the New Yorker, is the season of the year when Mr. Morgan & chauffeur make a detour, slow down almost to a stop as they pass through Sea Cliff so they...
Handsome, well-born John Lavalle was planning to become a portrait painter in 1917 when the War changed his plans and he became instead a commanding first lieutenant in the same air squadron with a New Yorker named Fiorello LaGuardia. After the War, what with having four handsome children, the death of his first wife and his marriage to a pretty, high-strung daughter of the Cincinnati tobacco Wilsons, he developed his art career slowly. Last week at the age of 38, he finally got 26 able portraits up on the walls of Manhattan's Grand Central Fifth Avenue...
With a bit of shamrock pinned underneath her dress and a little flat prayer book in the sole of her slipper, Mary Elisabeth Moore, a 21-year-old New Yorker, made her debut last week as the youngest member of Manhattan's Metropolitan Opera Company. It was not the occasion she had hoped for. In February she was to have been the heroine of Verdi's Rigoletto. But laryngitis interfered. Her debut, instead, was at a Sunday night concert. Her biggest test: the Mad Scene from Lucia in which an exacting flute kept tabs on her trills...