Word: yorkers
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...year-old when he arrived on the New York literary scene in the early '40s. (He came by way of Greenwich, Conn.; his mother had married a prosperous New York businessman named Joe Capote, who turned out to be a kindly stepfather.) Capote wangled a job at The New Yorker, and at night wrote and overwrote fevered, delicate, swamp-baroque stories that were skewed images of Monroeville. On the strength of one story in Mademoiselle, Random House signed the new phenom to a book contract...
...major talent for self-publicizing. Capote talked endlessly about "the difference between very good writing and true art" and left no doubt which he was serving up. To a considerable extent he was taken at his own estimation, though a large part of his writing (his 1957 New Yorker portrait of Marlon Brando is an overpraised example) was nothing more than good, smooth journalism. His pretense that the powerful and meticulously written In Cold Blood was something to be called a nonfiction novel demeaned both forms...
...Angell has going for him is his job. Unlike most other baseball writers, who have to cover a certain team game-by-game and are constantly writing for a newspaper or magazine deadline, Angell is not constrained by such daily pressures. As the "senior fiction writer" for the New Yorker, he isn't preoccupied with reporting the details of any single, meaningless midsummer game...
...Salinger's evasions is that he has become as famous for defending his privacy against nosy admirers and journalists as he is for writing The Catcher in the Rye (1951), the Huckleberry Finn of the Silent Generation. Salinger's last published story, Hapworth 16, 1924, appeared in The New Yorker in 1965, twelve years after he withdrew to 90 wooded acres in Cornish, N.H. He has been generally successful in protecting his solitude. But because he refuses to collaborate in the making of his own legend ("Because I might get to believe it," he told an inquirer years ago), Salinger...
...Yorker Marberger, the price of that faith is pain, resulting mainly from the experimental drugs he takes, that is so excruciating he must take a "pain cocktail" every four hours. Thus far he has tried interferon, aerosol pentamidine, which is used to treat deadly Pneumocystis carinii pneumonia, and AZT. He has also received dideoxycytidine, an antiviral medication. The treatment left him with tearing facial pains. Last week he was back in the hospital after a bout...