Word: yorkers
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...phone to explain. Baldrige replied, 'I understand perfectly. I'll use the extra time to gather more material.' With perfect politeness, she had accepted my apology and put me at my ease." Reporter-Researcher Val Castronovo interviewed several observers of modern manners, including New Yorker Cartoonist William Hamilton and Social Critic Fran Lebowitz. She found them grappling with entirely new areas, such as smoking, computer and answering-machine etiquette. Says Castronovo: "It can be argued that the new manners include both lighting your companion's cigarette and snuffing it out in a rage...
Life with father, as Susan recounts it, was never dull and rarely easy. As the daughter, born in 1943, and her two younger brothers grew up, they had to accustom themselves to dramatic swings in their domestic circumstances. Cheever earned his living by writing short stories for The New Yorker; it was a precarious trade, subject to editorial quirkiness in the matters of rejection or payment: "He was rich sometimes and he was poor sometimes, and both of these conditions were as dependent on his mood as they were on his net worth (which also fluctuated pretty wildly...
...Yorker Sara L. Luzarus, director of the 137th annual Hasty Pudding show, calls her upcoming affiliation with Harvard's most celebrated troupe of transvestites "every Jewish mother's dream...
...contest. Sons of famous men find the scorekeeping particularly onerous: whatever the offspring's achievements, both generations are likely to suspect that the father's glory enhanced them. That psychic battleground is toured by Michael J. Arlen, 53, a journalist, memoirist and television critic of The New Yorker, yet seemingly fated to be known always as the son of the celebrated '20s novelist Michael Arlen (The Green Hat). Say Goodbye to Sam is told in the first person, and much of its detail is so close to Arlen's life that it is tempting to read...
...Mexico to meet his father, Sam Avery, a semiretired film director with a gift for popular appeal. The son has won critical success for his magazine articles and books (which Arlen slyly depicts as exhaustive looks at narrow topics, resembling less his own work than that of his New Yorker colleague John McPhee); he is too constrained, too inward looking, to write in a way that could stir emotions and reach a mass audience. Tom believes that his happiness and security with his new wife will shield him from his father's belittling ways. But in the course...