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Readers who follow both The New Yorker and baseball have grown accustomed to the routine of Author Roger Angell. Each spring, usually in April, he appears in print with his impressions of the Florida and Arizona training camps, early warmups for the major league season ahead. Midsummers often bring his reflections from far off the beaten base paths: he has spent some time with a former star or picked up on the fortunes of an obscure semipro pitcher. After the World Series, he recaps the autumn games and the various heroics leading up to them. Now another pattern is emerging...
Exactly that sweeping solution-and a worldwide government of unspecified political complexion to carry it out-is the immodest proposal of the antinuclear movement's rallying point, Jonathan Schell's The Fate of the Earth. The book first appeared as three articles in The New Yorker and met wide acclaim among opinion leaders. Walter Cronkite said it "may be one of the most important works of recent years." Washington Post Columnist Mary McGrory said that the book was "working its way into the national psyche." Even journalists who disagreed with Schell's call for disarmament, like Columnist...
...longer the exclusive prey of physicists, the issue of the world's ever-increasing nuclear arsenal has captured the hearts--and minds--of America. The give-and-take started in Vermont, where 161 towns so far this year have endorsed a nuclear freeze. It continued when the New Yorker published in three successive issues Jonathan Schell's apocalyptic The Fate of the Earth. It escalated when The New Republic responded to Schell by featuring a piece "in defense of deterrence." It spread further with a Newsweek cover story. And it evolved all out of control with an ABC Nightline special...
...there are problems with reading several columns successively in book form. The rapid succession of brief thoughts, as well as the sometimes incessant recycling of well-turned phrases, dulls some-what the respect for his writing. The book is not necessarily for reading but for browsing, like a New Yorker collection of cartoons...
...meditations on the existential significance of bell-bottom jeans, was a tour de force of softheadedness. Yet it was also a spectacular critical and commercial success when it appeared in 1970, largely because of where it appeared. But other instant bestsellers born in the stately columns of The New Yorker have survived as masterpieces of modern journalism, such as Rachel Carson's 1962 Silent Spring, a catalyst for the environmental movement, and John Hersey's Hiroshima. While Schell's book does not live up to Shawn's reverent assessment, and while it falters in its attempt...