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Hamlisch has lived in Hollywood for the past two years, but he remains an unreconstructed New Yorker. Working at home on a rented moviola (a hand-operated viewer on which a film can be studied frame by frame), he even keeps the curtains drawn to thwart the distracting California sunshine. "Look at me," he says proudly, "I'm as pale as a Long Islander in February." He likes to tell about his own case of inflated Hollywooditis after the awards. "I thought," he says, snapping his fingers in fandango-like recall, " 'Baby, you are the real goods-Cole...

Author: /time Magazine | Title: Show Business: Marvelous Marv | 6/3/1974 | See Source »

...honorable mentions were awarded. This year's judges were Roger Angell of The New Yorker; Hugh Sidey of Time magazine; and Carolyn Kizer, a poet...

Author: NO WRITER ATTRIBUTED | Title: DANA REED PRIZE | 5/29/1974 | See Source »

...completely different way, Saul Steinberg delves into our subconscious at the Institute of Contemporary Art, 955 Boylston St. in Boston. His cartoons in the New Yorker have geometrically-formed people marching across landscapes of plotted-out rectangles and thinking of endless variations on the number "5" or other problems of the human condition. Through June...

Author: By Kathy Garrett, | Title: GALLERIES | 5/16/1974 | See Source »

Conrack opened in New York a month ago. It received two pre-reviews. The New Yorker's Pauline Kael praised the freshness of the story: a young South Carolinian goes to isolated Yamacraw Island to teach illiterate black children. Kael loved the lustiness and poetic charm of the hero, Pat Conroy (known to his students as Conrack), who overcomes reactionary school officials and intransigent students and parents to give his class a sense of the world beyond Yamacraw--before he is fired. She dunned some of the film's simplifications but saluted its spirit. Stanley Kauffman in The New Republic...

Author: By Michael Sragow, | Title: Conrack and Its Critics | 5/15/1974 | See Source »

...these tales share a kindred urbanity, as might be expected from a longtime contributor of fiction and criticism to The New Yorker. (Gill's present post there is Broadway theater critic.) Many of the characters-clubmen, wealthy matrons, genteel spinsters -could well be the literary grandchildren of Edith Wharton's characters. Gill's narrative voice evokes the kind of man who might be found in one of his own fictional clubs or parlors-a wryly observant uncle or older brother who has moved in wide enough circles to be able to recount a homosexual killing...

Author: /time Magazine | Title: Books: Seasons of the Heart | 5/6/1974 | See Source »

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