Word: yorkin
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Dates: during 1970-1979
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...once observed, "is equal to the passion to alter someone else's draft." Wells might have been guilty of some hyperbole, but many writers, including some of ours, share his suspicion of editors' passions and pencils. Christopher Porterfield, in planning the cover story on TV Producers Bud Yorkin and Norman Lear, skirted the problem. One of the sections he presides over as a senior editor is Show Business & TV. He assigned himself to write the story, then served as his own editor. No one could quarrel with his credentials in either role. Since childhood he has been...
...central figure and the composer's durability as the theme. He then served for two years as a cultural correspondent based in London. There he first saw two British television programs, Till Death Us Do Part and Steptoe and Son, programs that later became the models for Yorkin and Lear's All in the Family and Sanford...
Teasing Laughs. The show was created by Bud Yorkin and Norman Lear, the team that produced All in the Family, and like Family, Sanford is adapted from a successful BBC series. Foxx's Sanford is at times a sort of black mirror image of Family's bigoted Archie Bunker. When he spots a white nurse waiting to give him his chest...
Somewhere along the way he adopted his stage name, which was inspired by Baseball Great Jimmie Foxx and the red fox in children's stories. His real name was Sanford, which Yorkin and Lear borrowed for the show...
Sanford & Son (NBC) is a promising situation comedy produced by Bud Yorkin and Norman Lear, the team that created All in the Family. Like Family, which was based on a long-running BBC hit called Till Death Do Us Part, the new show is also an adaptation of an English model. This time Yorkin and Lear have taken the BBC's Steptoe & Son, about the tribulations of a cockney junk dealer and his son, and Americanized it by setting it in a low-income black milieu. In the process they have come up with an inspired piece of casting...