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...film schools, there is a notion that they’re trying to get you jobs, and that this is an experience that leads you into the industry,” Moss said. “Courses are broken down into the industrial mode: there are courses on cinematography, or scriptwriting, or producing, or directing. We don’t do that. We are interested in film as a way to know the world, as any other discipline here would...
...Eliora M. Noetzel ’10 has had exactly that difficulty. “I’ve not been to many film festivals, because getting off campus is not something I do often,” she said. “We’re lucky to have the HFA [Harvard Film Archive] here, and we have a lot of people that come here specifically to present work, so we don’t really have to leave...
...downturn, the number of films produced a year has been dropping. In 2008, 520 films were produced by the major studios. The projection for 2010 is between 300 and 400. From the point of view of a distributor, the bar has been raised. “You’re making fewer films, and being more careful about the ones you’re choosing, so it’s harder to get funding,” McGlade said. “People aren’t getting the same amount of money for deals...
...public diplomacy is to communicate America’s policies abroad and to engage international audiences about all things American. The problem is, we’re failing, and that’s to the detriment of our national security as well as commercial, cultural, and education interests...
...Dear God.” There’s a fascinating incongruity between the bleakness of the refrain and its catchiness, as though Stewart wants listeners to sing, “Dear God, I hate myself,” without realizing quite what they’re saying. Additionally, the title track’s rhythms are thoroughly danceable. An underlying, distorted hand-clap beat, is accompanied by emphatically-strummed guitar. Both occasionally spiral into seemingly extemporaneous electronic interludes, but the base beat always returns. The meter brings to mind the driving compositions of New Order, whose music has been...