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Frustratingly, a number of songs use poorly-chosen passages from the novel to create banal lyrics. For instance, on the track “These Roads Don’t Move” lines like “These roads don’t move / You??re the one that moves,” are surely meant to feel prophetic, but instead just feel insipid. As anyone even vaguely familiar with Beat literature can attest, Kerouac’s writing offers more beautifully composed images than those selected by Gibbard and Farrar to depict in song...
...fair, the Huskies have feasted on all their opponents as of late; the team hasn’t allowed a goal in eight games, outscoring its opposition 16-0 during that span. Still, when you??re ranked sixth nationally, have a player contending for the Hermann trophy, and boast a goalkeeper with a sub-1.00 GAA, you shouldn’t be losing by four goals to any team...
...wrote for the same reader I always write for—the educated general reader,” says Ruth R. Wisse, Professor of Yiddish and Comparative Literature, who contributed an entry on Saul Bellow. “So if you??re using a literary term which is not immediately comprehensible, then it is your duty to explain it. Clarity is the one thing you aim for most...
...you??re really serious about this kind of project and its accessibility and popularizing both the ideas and the content,” she says, “a more natural form nowadays would probably be online publication,” she says...
...been struggling financially due to the recession—University Hall’s endowment woes (and resulting budget cuts) have come under constant scrutiny not only by The Crimson, but also by national newspapers such as The Boston Globe and The New York Times. But just in case you??ve been living under a rock for the past few months, FM has gathered some stats on the recession’s effects on Harvard, ranging from the obvious to the surprising to the potentially infuriating. Just remember: regardless of what our endowment is and what our administrators...