Word: youã
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...Blues will boast a restaurant, gift shop, and VIP lounge. Howie Y. Turkenkopf, the brand marketing manager for the location, said that choosing the new space—which seats nearly 2,500 people and sports eight bars in total—was a careful process. “You??re just not going to find any old property,” he said. “You need a good...space to put this venue together...so, you take your time, you find the right place.” The location was chosen for its size...
...most glorious art of all. In our many lecture halls, one must un-learn the practice of risk-taking for that of cozy financial security. Some lucky few though, like Cornell graduate and actress Carla Gallo, skipped those classes on paper-pushing perfection in favor of greater passions. If you??ve watched one of Judd Aptow’s brohiem sagas from the past five years, then you probably have seen Carla Gallo. To jog your memory, she played “Toe-Sucking Girl” in “The 40 Year Old Virgin...
...provides an answer: what is this film doing on an IMAX screen? Executive producer Taran Davies ’93, promoting the film, claimed that the camel caravan used to transport crew and equipment through the desert was the largest to pass through that region. [SEE CORRECTIONS BELOW] But you??d never know it. Most of the shots in “Journey to Mecca” are dialogue shots—closed in on Ibn and his companion—or utterly blank desert topography, which could basically be filmed anywhere. Viewers expecting to be overtaken...
...Your Birthday Anymore,” a slow ballad that recounts the harsh words of a jaded man to his soon-to-be-discarded lover (“It’s not your birthday anymore / There’s no need to be kind to you??), comes off as juvenile and pitiless. “One Day Goodbye Will Be Farewell” makes use of end-rhymes that can only be described as puerile: “And the smiling children tell you that you smell / Well, just look at me / A savage beast...
...album’s second track, “Never Had Nobody Like You.” While she provides a dainty counterpoint to M. Ward’s forceful vocal performance, what really stands out is the songwriting. At first listen, “Never Had Nobody Like You?? sounds like a simple upbeat pop ditty. With closer attention, however, the incorporation of disparate musical styles emerges. The instances are subtle: the bluesy snare drum break that gives momentum to the transition from chorus to verse, the folksy vocal melismas that make the chorus downright infectious...