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...arrival at Harvard, his interest in painting intensified. He credits the faculty of the Visual and Environmental Studies (VES) department—including Nancy Mitchnick—and his fellow students with helping him develop his style. “I think the great thing about Harvard is you??ve got a broad range of people doing art,” he says. “From co-op people to New England preppy people; people are not self conscious.”The artistic students are not the only students who provide Powers with motivation...
...most of her closest friends through HRDC, and the literature concentrator’s thesis even involved a translation of a French play into English. But for Kaufman, nothing rivals the moment of satisfaction when a production comes together.“Seeing something that beautiful and moving that you??ve envisioned in your head actually come to life in front of you is unlike anything else,” she says.Kaufman looks away, gently placing her hand against her chest as though feeling for an answer. “It’s magical...
...first we actually hated each other,” Miller says. “Each one of us wanted to be the ‘baddest’ sax player. But then when you didn’t play well, you??d practice and show up better next week...
...practice at least five hours on a good day, working so that he’ll play and sound better when he hits the stand. The idea that all aspects of his life are related to his music constitutes Miller’s philosophy. He believes that if you??re a distinctive person, you??ll have a distinctive sound...
...music is that you see such interesting minds at work,” she says.Yu also draws a distinction between the musical life at Harvard and at a music conservatory. Harvard’s vibrant community, she thinks, makes for a more interesting musical experience.“When you??re in a conservatory it tends to be quite one-dimensional because people are very focused on technique and want to win competitions,” she says. “But here at Harvard everyone has some other interests, so you don’t play...