Word: young
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Dates: during 1930-1939
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Billie Holiday is a roly-poly young colored woman with a hump in her voice. Dance-hall crowds have heard her with Count Basie's Orchestra, radio audiences with Artie Shaw. She does not care enough about her figure to watch her diet, but she loves to sing. She also likes to listen to records of her singing...
...Young Mr. Lincoln (Twentieth Century-Fox). The world should little note, nor long remember the story of Young Mr. Lincoln, for if it does, history may have to take a back seat. It is as if Darryl F. Zanuck had signed Mr. Lincoln to play in a swift, humorous, bathetic little piece of last century fiction. The result is an ingenuous jumble of history and fancy, its main theme being the story of how young Lawyer Lincoln, at 30, won his famous murder case with the help of the moon and a farmer's almanac, a trial that actually...
...play this pleasing young Mr. Lincoln, tall, spare Actor Henry Fonda stayed home nights to read up on the part, acted Lincolnesque on the set and off. During the filming he walked on three-inch stilts built into his boots, wore a rubber buildup on his nose and an applied wart on his right cheek. Director John Ford (The Informer) refused to see Fonda without his makeup, refused to let superProducer Darryl F. Zanuck dabble in the job, turned out, as a result, a jim-dandy piece of Lincoln mythology...
First of a series of Lincoln films in what Hollywood freely predicts will be Lincoln's greatest year, Young Mr. Lincoln was spotlighted during production by a restraining suit. Robert Emmet Sherwood and his partners in Playwrights Producing Co. Inc. filed the suit on the ground that there was more than coincidence in the similarity in name to Abe Lincoln in Illinois (Broadway hit to be filmed this summer with Raymond Massey). Darryl Zanuck parried that by producing a memo proving that Lincoln was in his thoughts as far back...
...keeping with the present Hollywood urge to return to the mise en scéne, Young Mr. Lincoln had a world première on Decoration Day in the Fox-Lincoln Theatre in Springfield. Two trainloads of guest critics, Hollywood columnists and cinema stars attended, Springfield fat-purses paid $3.30 for orchestra seats, the rest paid the usual 40?. All heard Negro Contralto Marian Anderson, hired by Producer Zanuck for $6,000, sing America. Only complaint Springfield had against the film was that Abe Lincoln arrived in Springfield not on muleback, but on horseback...