Word: young
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Dates: during 1980-1989
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...that most Soviet students wear. When Boguslovsky said free discussion in the classroom was possible on every subject, Volodya, 16, quickly spoke up. His face red with anger, Volodya said, "There is much talk, but nothing has really changed. We are already tired of talking." Instead of silencing his young charge, Boguslovsky said nothing, but his features took on a boys-will-be-boys look of resignation...
...spill happened in almost the worst place and at nearly the worst time possible. The jagged coast of Prince William Sound is dotted with innumerable coves and inlets where the spilled oil can collect and stay for months, killing young fish that spawn in the shallows. Fishermen have already written off the herring season that was to start this week. Soon waterfowl by the tens of thousands will finish their northward migrations and settle into summer nesting colonies in Prince William Sound. For them, says Ann Rothe, Alaska regional representative of the National Wildlife Federation, "it will be like returning...
...ground it is much the same at first. Behind the hard eyes of a young passport officer lurk the ghosts of his country's history: Ivan the Terrible, Peter the Great, Lenin, Stalin and all those they once ruled, the entire tragic parade of persecutors and persecuted. And when the officer finally grunts his assent and one is readmitted to the Soviet sanctum, one still imagines great steel doors clanging shut...
...business, at least among those who can afford the prices (lunches and dinners often go for $20 to $30 a person, without drinks or wine). Major hotels offer Western joint- venture seekers many distinctly unsocialist hard-currency attractions -- slot machines, for one -- while out on the sidewalks, better-dressed young people hurry by, oblivious to the stiff-knuckled old women sweeping the streets with birch-branch brooms...
...long-suppressed and now acclaimed production of Dostoyevsky's Notes from Underground at Moscow's Theater for Young Spectators, the withdrawn and embittered central character repeatedly pushes with all his might against the immovable proscenium arch at the side of the stage. The gesture is an apt visual metaphor not only for a melancholy nobody's passion to smash the barriers of loneliness but also for the yearning of the whole Moscow drama world to break down the confines of habit and tradition. Everywhere one goes in the theater these days, the same artistic self-criticism is heard: there...