Word: young
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Dates: during 1990-1999
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...Tarzan is determined to "be the best ape ever." Frustrated that he can't growl exactly like his ape friends, he is advised by Kala to "just come up with your own sound." He does, and he likes it. The Tarzan yell is a shout of young maturity, of his interspecies uniqueness. But later, when he falls in love with Jane yet feels obliged to stay with his ape family to protect them, the yell carries a wrenching pathos. It is the primal scream of someone who doesn't know if he's man or monkey...
...Broadway's musical well has run so dry that recycled revues like It Ain't Nothin' but the Blues and Fosse compete for Tonys, it comes as a pleasant shock to realize that Stephen Sondheim has had an unproduced show in his trunk for more than 40 years. The young composer wrote Saturday Night in the mid-'50s, but a planned Broadway opening was scuttled when the producer died. It was mounted for the first time by a small company in London in 1997. Now Chicago's Pegasus Players has given the musical (with two new songs added by Sondheim...
...dead old days of watching an antiseptic world on black-and-white TV ("We got comedy, tragedy/Everything from A to B"); he might be Pleasantville's sitcom dad, now neck high in self-pity. The next tune, Shame, is in the head of a rich coot ranting about the young woman (and the gun) he needs to be happy. The third song, I'm Dead (but I Don't Know It), is the plaint of a pop singer who, after 30 years, has "nothing left to say/ But I'm gonna say it anyway." Newman dares you to wonder...
...both Spanish and English. This exotic new hybrid of music captures festive rhythms and tempos similar to Brazilian samba in familiar beats that can be danced to. Martin also demonstrates an uncanny versatility when he sings slower-tempo Latin ballads in the "danceable" rumba and bolero rhythms. GUILLERMO SAMUEL YOUNG San Jose, Calif...
...sympathies. When she was small, she was consuming Uncle Tom's Cabin, John Bunyan and abolitionist materials; her earliest memories included hearing Elizabeth Cady Stanton speak. Her father was keen on amateur theatricals in the home; his daughter later enthralled the suffragists with her oratory and her voice. The young Rebecca West described hearing Mrs. Pankhurst in full cry: "Trembling like a reed, she lifted up her hoarse, sweet voice on the platform, but the reed was of steel and it was tremendous...