Word: young
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Dates: during 2000-2009
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...have no regrets about anything I've done. I've never done a nude scene for the sake of it. There's obviously films that my children haven't seen--Trainspotting, The Pillow Book, Young Adam. But they'll see them when they're older, and I don't have many worries about that. I'm sure they'll be fine...
...young Manny plotted his trip in secret. Dionisia Pacquiao is slender and slight, like her son, and has his easy smile. "Manny has a strong mind and a strong body," she says. "Just like his mother. Except I am stronger." But she was heartbroken when he left for Manila. Dionisia recalls receiving a letter from him "saying how sorry he was [for leaving home] ... I was very, very sad. But after a while, I accepted his destiny...
...away when friends got into free-for-alls: what he calls, with an almost pop-eyed relish, bukbukan - unrestrained fistfighting. He loved boxing. Dionisia recalls an 8-year-old Manny wrapping towels around his hands to mimic gloves. Rey Golingan, a General Santos City businessman, remembers the young Pacquiao attending the weekly bouts in the main plaza. "Manny was always there at the fights, waiting to be paired with someone," says Golingan. But his consistency wasn't matched by any obvious talent. "Honestly, I didn't see any potential in Manny. He was just another kid who knew...
...while these shows were fun, they were far from educational. It wasn't until the debut of Sesame Street on Nov. 10, 1969, that TV became a medium tasked with developing young minds. Sesame Street's success wasn't exactly a surprise--about 2 million households tuned in to its premiere on PBS--but it was groundbreaking nonetheless. In addition to teaching kids ABCs and math--under the tutelage of an 8-ft.-tall yellow bird and an irritable garbage-can dweller--it was one of the first TV shows to depict an inclusive, racially harmonious neighborhood, prompting Mississippi...
...soon as audience members walk into this latest Harvard-Radcliffe Dramatic Company production, each is confronted with the vulnerability of a young woman (Jessica Napier ’11) self-consciously stripped to her plain, black skivvies in the middle of the stage. Everyone suddenly becomes an accomplice, mutually guilty of his invasion into the presumably fictitious reality created by the girl on the pedestal; All are at least partially responsible for her furrowed brow and the arms she has arranged protectively across her front as she shivers from the violation. The entire show is uncomfortable in its emotional...