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Jonathan Safran Foer is fascinated by trauma. His first novel, the critically acclaimed “Everything is Illuminated,” chronicled his young facsimile’s eastern European journey to unpack the lives of his Holocaust-survivor relatives. “Extremely Loud & Incredibly Close,” his second, was a deeply-felt emotional mosaic about the resonance between the 9/11 attacks and the Dresden firebombings. Foer’s first work of nonfiction, “Eating Animals,” has a different sort of trauma in mind: the suffering inflicted on livestock...
...combining musical messages with social emancipation is a vital part of his identity. Growing up as an Asian American in Amherst, Mass. in the 1960s, he says, “I’d faced racism ever since the day I’d become conscious as a young kid at age three.” “I was hit with the tidal wave of Black Power and the Black Arts movement,” he says of his teenage years. African American music and culture gave him a way to understand his Asian American identity...
...music, claiming, “I have a fairly developed bullshit detector, so I don’t accept anything that is not sincere.” He distinguishes himself from today’s stagnant jazz world, which for him is dominated by “the regurgitators, young people who have tremendous technical proficiency, but no imagination, and worse, no soul...
...brother of renowned violinist Midori Goto, will join the Bach Society Orchestra (BachSoc) this Sunday in a concert featuring the music of Strauss, Mendelssohn, and Brahms. Goto will solo in Brahms’ Violin Concerto. Touted by conductor Lorin Maazel as one of the finest young performers today, Goto has toured internationally over the past several years, playing with the London Symphony, the Orpheus Chamber Orchestra, the Shanghai Philharmonic, and the National Symphony in Washington, D.C. This semester, Goto has performed in Kansas, San Francisco, and Mexico City...
While Woods failed to win a seat in Congress, students at the event said his story was inspiring for young people interested in advocating progressive policies...