Word: youngs
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Dates: during 1950-1959
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...convention showed that the modern square dance has long since stopped stomping, clogging and jigging (redeye is still optional), has become a forceful matter of sliding steps and intricate patterns. Dancers came from as far away as Germany and Great Britain, and from 46 U.S. states, most of them young married couples or spry middle-aged folk. Most impressive proof that square dancers are not square but hip: George ("Pop") Singer, who last week was energetically chassezing right and allemanding left...
Circus Minimus. Bill's clients, mainly young English, Australian and American couples, listen while he reminisces about how he introduced the late Sultan of Johore to the sweet mysteries of bourbon whisky, nod politely when Bill pontificates about modern pop music. Rock 'n' roll and all that jazz, he says, are "just a rehash of the old stuff, what used to be the Texas Tommy, the Bunny Hug and the Grizzly Bear...
...roomy nose cone rode an extraordinary cargo: two young female monkeys, Able and Baker.* Monkey Able, a greyish, 6-lb. rhesus, was a graduate of a school at Walter Reed Army Institute of Research in Washington. D.C., where she and her classmates were taught to press a lever when a red light flashed. If the lever went unpressed, the monkeys got electric shocks in their furry behinds. Monkey Able was also conditioned to being strapped into a capsule, to wearing a miniature helmet and tolerating noise, vibration and the indignities attendant to the attaching of instruments to her body...
Rome is as happy with them as they are with Rome. After a ten-man show of U.S. artists opened at the Palazzo Venezia. II Messaggero hailed the Americans in Rome as part of "an important contemporary artistic movement." added with pride: "Hundreds of young Americans have come here in recent years without going to Paris first...
Although no amount of post-mortem analysis can altogether remove the aura of a grand failure from Carles's work, it now appears, in retrospect, that Carles stood so alone because he was so far ahead. As a young man he had gone to Paris, fallen under the spell first of Edouard Manet and then the postimpressionists, sipped coffee with Matisse and Brancusi. Back home in Philadelphia, where he taught from 1917 to 1925 at the Pennsylvania Academy of the Fine Arts. Carles slowly digested his European lessons, then moved on to a symphonic orchestration of colors...