Word: youngs
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Dates: during 1950-1959
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...movies ("just for swinging a sword, sitting on a horse and yelling, 'Charge!' "), and riotously squandered it as it came. The greatest concession he made to convention was to marry three times, and each union went out the window along with his roving eye. His taste for young flesh led to three statutory rape scandals, plus a juicy paternity suit-but the older he got, the more he seemed a cardboard sinner. Finally a bloated travesty of his younger self, he was typecast in his last three films as a drunk, and his forthcoming autobiography is called...
Fairly interesting while chronicling its love affair, Chéri afterward does little realistically with fractured lives, little nostalgically with fragrant memories. There is no more wit to its frivolous scenes than depth to its sober ones. The audience can only watch a lost young man and a woman who gets older and older. At whatever age, Kim Stanley proves a gifted actress, but she seems about as Gallic as cornflakes and as demimondaine as Betsy Ross. She is forever fighting a role as well as a script...
...despite the dazzling dream dance of ironies, despite the poignant musings of the prisoner, the book is disappointing. Compared with the author's superior novels, it is only a kind of detour de force. It may be that, unlike Kafka, Nabokov sacrificed horror to hallucination -or that the young Nabokov did not really know what he was trying to say. Whether Cincinnatus was condemned by wicked masters, or whether he was self-condemned by his own conscience, the ending is both enigmatic and unsatisfactory; for, Nabokov appears to be saying, Cincinnatus can banish the carnival of evil around...
...second part of The Glass Menagerie a Gentleman Caller finally enters the Wingfield home in a St. Louis slum, after half an evening of preparation for him, and is left alone with the crippled, morbidly shy young girl he had been invited there to meet. Trying to interest him in the collection of little glass animals that is her only solace, she offers him her favorite, saying, "Here's an example of one, if you care to see it." In the current H.D.C. production, she takes at this moment a quick, frightened, intensely poignant glance...
...beauty of this moment may belong essentially to Kathryn Humphreys, who plays the young girl--her whole performance, the best in an excellent production, is compellingly pathetic yet radiant--but the whole evening is full of similar small epiphanies, finely executed by the company. The play's success depends entirely on an unbroken series of these momentary beauties; on the present occasion this success is never in doubt...