Word: youngs
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Dates: during 1950-1959
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...reach quite young what many people consider the dream life of America: success by my own efforts, a stream of dollars to spend, a penthouse in New York, forays to Hollywood, the companionship of pretty women, all before I was 24 ... There I was in the realms of gold . . . But even as I lived this conventional smart existence of inner show business, and dreamed the conventional dreams, it all seemed thin...
Wouk is sure that the answer to both questions is no. and that the only hope lies in training the best brains among the young in the law. And this to him means Orthodoxy. "If I stand up to be counted in that communion, it is not because I hold it perfect, or because I miss the stresses that have sent many into dissent and assimilation. It is because I sense in my bones that Jewish survival rests with the law . . . The formulas of dissent make a pleasant compromise for people who want an easier life than the law asks...
Then there was Mr. Axeler, the "Mad Cossack" of the Half Moon Country Club -one of the summer camps for manhunting secretaries and girl-hunting clerks in which young Moss served six miserable years as "social director" and resident clown. The sleepless grind of "making fun" for the guests-an occupation also survived by Danny Kaye, Gene Kelly, Herman Wouk and dozens of others-consisted of reciting Shakespeare by the campfire, impersonating Fanny Brice, staging a full-length musical each week, supervising endless Spanish Fiestas and Greenwich Village Frolics. Mr. Axeler's establishment in Vermont was really more...
...rate of one act a night; legendary, spiteful Producer Jed Harris, who received Hart while standing stark naked in his hotel suite. But the greatest of all is probably Playwright George S. Kaufman, legendary Lancelot of the Algonquin Round Table. When Kaufman agreed to collaborate with the unknown young Hart on Once in a Lifetime, there started a gentle comedy of errors almost as funny as the play itself. If Kaufman hated anything, it was cigar smoke and emotion; throughout their working sessions Hart puffed huge cigars and kept insisting on thanking his benefactor, not understanding why Kaufman kept rushing...
David Smith, 53, is the best of the living "ironmongers." His raw, openwork constructions of iron, silver and stainless steel stem from Spanish ironwork by way of Gonzalez, but they have a peculiarly American urgency and, so to speak, a questioning emptiness. Smith is the idol of young American sculptor-welders, who find that they can follow his lead on a large scale without too great expense (a big cast-bronze monument may cost $50,000 to erect; a welded steel one as little as $500). Smith stays more inventive than any of his imitators...