Word: youngs
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Dates: during 2000-2009
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...sumptuousness of Ismael’s garden as he describes it—where oranges grow fat and succulent in the blazing sunshine—echoes in his descriptions of the attractive young family living next door. The object of his desire is Geraldina, a wife and mother of two, whom he admires from his vantage point atop a ladder while picking oranges. His wife, Otilia, notes and censures his voyeurism, but Ismael’s desire is compulsive and extends to every young female character we meet. Each is subjected to his scopophilia, described in terms that evoke...
...Young Blood” also stands out as an example of a successful experiment; Jones balances heavier electronics with a simple drumbeat. The powerful melody, hearkening back to the best of U2 or Coldplay, is refreshing for a jazz vocalist, but it’s hard not to wonder if Jones could do the song better in her own acoustic way. The same goes for “Light as a Feather,” which comes off as a compelling tune with a worrying background whine...
...first seem unsettling to those accustomed to Mayer’s usually relaxed tone, violent imagery is quite pervasive on “Battle Studies,” signaling a new direction for the popular singer-songwriter. On earlier releases, Mayer sounds confused but contented, extolling the virtues of young adulthood while simultaneously wallowing in the pitfalls of a quarter-life crisis. On his newest effort, Mayer sounds far more heartsick and forlorn than in his earlier career; however, he spins his grief into melodic gold, putting forth excellent songwriting and poignant lyrics that result in his best album since...
Jonathan Safran Foer is fascinated by trauma. His first novel, the critically acclaimed “Everything is Illuminated,” chronicled his young facsimile’s eastern European journey to unpack the lives of his Holocaust-survivor relatives. “Extremely Loud & Incredibly Close,” his second, was a deeply-felt emotional mosaic about the resonance between the 9/11 attacks and the Dresden firebombings. Foer’s first work of nonfiction, “Eating Animals,” has a different sort of trauma in mind: the suffering inflicted on livestock...
...combining musical messages with social emancipation is a vital part of his identity. Growing up as an Asian American in Amherst, Mass. in the 1960s, he says, “I’d faced racism ever since the day I’d become conscious as a young kid at age three.” “I was hit with the tidal wave of Black Power and the Black Arts movement,” he says of his teenage years. African American music and culture gave him a way to understand his Asian American identity...