Word: youngs
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Dates: during 2000-2009
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...dubious sort who limits all praise and wields a sharp claw. Mother to four in Dahl's story, here she has only one kit, Ash (Jason Schwartzman), who is petulant, undersized, uncoordinated and insecure. "You're supposed to be my lab partner," he says to a comely young fox named Agnes, who is distracted in their biology class by the Foxes' glamorous houseguest, Ash's cousin Kristofferson (voiced by Anderson's brother Eric). "I am," Agnes protests. "No you're not," he scolds. "You're disloyal." It's a hilarious moment, but perhaps only if you're familiar with...
Archie floats serenely above the new racial order, buoyed by his belief in the power of the coin toss. But Samad, confronted with a hostile, foreign culture and a young, indifferent wife, retreats into what he thinks he knows best: his own culture and religion. Smith makes it clear, however, that the latter—already irrevocably changed by his life in England—is reaching for a past that never existed...
Samad and Archie’s stories, as well as the stories from their long-suffering young wives’ points of view, make up the first and best half of the book. But “White Teeth” changes once Smith takes up the mantle of the new generation, the products of cross-cultural fertilization. Smith provides a snapshot of Archie’s daughter Irie writing feverishly in her diary. Her depiction of overwrought adolescence is pitch-perfect: “8:30 P.M. Millat just walked in. He’s sooo gorgeous but ultimately...
Smith ties up the characters’ story arcs into a neat little bundle at the end of the book. She contrives to unite the old and young in one room. Every main character attends the launch of a genetically engineered mouse with something to prove, whether in protestation or celebration. By putting them together to duke it out, Smith purposefully offers a chance for redemption and closure unavailable in real life. This conclusion is an unsatisfying end, but the point of the book is not the plot. Her rich, realistic portrayal of the characters and their view of London...
...other advanced democracies, it need not promote any specific artists, but rather serve as an economic engine and revitalize the national spirit broadly. The department could directly invest in arts education, museums, libraries, public radio, and public television. It could create special task forces—for example, a young “artist corps” for low-income schools and neighborhoods, an original Obama campaign idea. It could establish federal writing projects to promote cultural literacy and historical memory. As a bonus, culture department officials could serve as popular diplomatic emissaries...