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3. Éric Rohmer and Erich W. Segal’59: While critics and bloggers were busy debating the possible racist connotations of “Avatar” verses its technological implications, the death of some influential film figures went relatively unnoticed. One of the seminal directors of...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: What if 'Avatar' Had Flopped | 2/2/2010 | See Source »

After this high, despair comes a couple of songs later in “Walk in the Park,” where melancholy is consoled by Scally’s dominant keyboard melody. The lyrics have a great internal rhyme scheme—“The face that you...

Author: By Kelsey C. Nowell, CONTRIBUTING WRITER | Title: Beach House | 2/2/2010 | See Source »

This is where the idea of “code switching” comes in, a concept that forms one of the central building blocks of their upcoming performance. Code switching is a technical term used in vocal coaching that refers to switching between dialects. Here, the term applies to...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Code Switch 7 Takes On Race | 2/2/2010 | See Source »

But even with changes in structure and a couple new studio tricks, the songs on “Transference” succeed first and foremost because they are Spoon songs: crisp, tightly crafted, and catchy. Already with an unfathomable five great albums under their belt, the band continues to hone...

Author: By Jeffrey W. Feldman, CRIMSON STAFF WRITER | Title: Spoon | 2/2/2010 | See Source »

Book-ending the more challenging center of the album are three tracks that cleave closer to the pop sensibility of debut “Hold On Now, Youngster.” Whether they’re the most interesting songs on “Romance is Boring” or...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Los Campesinos! | 2/2/2010 | See Source »

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